Public Structures - Kunsthal Charlottenborg Biennale

 

Public Structures explores the potential of advertising for artists to comment on how "value is constantly constructed and circulated."

The Biennale was curated by Hans Ulrich Obrist - director the Serpentine Galleries in London and Jeppe Ugelvig.

Works are shown in advertising panels and the exhibition opened on the 19 June in the main hall of the central station. From 3 July to 16 July the panels will be shown at numerous venues around Denmark.

Public Structures
Kunsthal Charlottenborg courtyard
26 June 2023 - 23 July 2023

artists:
Akeem Smith, Bless (Desiree Heiss & Ines Kaag), CATPC (Congolese Plantation Workers), Eric Andersen, AA Bronson + General Idea, Hans-Peter Feldmann, KAWS, Koo Jeong A, Luki von der Gracht, Maja Malou Lyse & Esben Weile Kjær, Martine Syms, Minerva Cuevas, Michael Rakowitz, Pippa Garner, Rasheed Araeen, Rosemarie Trockel, Serapis Maritime, Shuang Li, Sungsil Ryu, SUPERFLEX, Tromarama, Yinka Shonibare CBE, Yugoexport/Irena Haiduk

 
 

new design & architecture - graduate projects at the Royal Academy

 

Shown here are more than 250 projects by new graduates from Det Kongelige Danske Kunstakademi - the Royal Academy of Architecture, Design and Conservation.

Set out through three tightly-packed spaces, the exhibition is arranged around the framework of the many and specific study programmes for architecture and design at the academy.

Since 2016, the UN Sustainable Development Goals have been a focal point for research and events at the royal academy and in their teaching programme and it’s graduation projects.

NEW DESIGN & ARCHITECTURE
23 June - 17 August 2023
note: closed 10-30 July

Det Kongelige Danske Kunstakademi
Skoler for Arkitektur, Design og Konservering
Danneskiold-Samsøe Allé
1435 København K

Anders Petersen new showroom and workshop

Following the closure of their gallery and showroom on Kløvermarksvej in January, Anders Petersen has opened a new workshop and show room and on Thursday, Friday and Saturday, 22, 23 and 24 of June, they opened the doors there to friends and old customers to celebrate.

Their large, high industrial unit - with an upper gallery around three sides - gives them space to show their collection of furniture but there is also a work-shop area where they will make some of the pieces in the collection and where they can develop new designs to take them through to production stage.

Again, the new building is on the east side of Kløvermarken but 140 metres further to the south.

note: the showroom is open now by appointment.

A. Petersen
Reffinaderivej 20K (hal K2)
DK 2300, Copenhagen S

email: contact@apetersen.dk

 

Urban Heartbeats - celebrating 100 Years of public design by Knud V Engelhardt

 

This exhibition - in the outdoor display cases on the entrance courtyard of the design museum - marks the anniversary of the design from 1923 of the typeface and a signpost system for the municipality of Gentofte by Knud Valdemar Engelhardt.

His font is distinctive and, once seen, can be identified easily on road signs throughout Gentofte.

Individual letters are rounded and generously spaced with low ascenders and short descenders …. letters such as o or m determine the general height of the lettering and here, in Engelhardt’s font, letters like k or h with ascenders and j or g with descenders are restricted so the overall height of the word is tightly controlled within the background of the sign itself.

In Engelhardt’s font the g and j are particularly distinct as the g has a simple straight descender -that does not curl under the round body of the letter - and the lower-case j, rather than having a full stop or dot above the stem of the letter, has a small red heart …. a ‘signature’ detail that is a play by Engelhardt’s on his own surname.

We now take for granted san serif lettering - lettering without the sharp triangular cuts at the top and bottom of verticals that came to printing from hand-drawn lettering and from lettering cut with chisels on wood or masonry, such as funeral monuments.

Engelhardt was born in 1881 when posters and commercial printing frequently revelled in mixing styles and sizes of font for impact. He trained at the academy and graduated in 1915 and clearly his design recognises work of the Art’s and Craft period with design by Thorvald Bindesbøll and Anton Rosen. This certainly does not detract from his design or suggest that it is derivative …. rather that it explains why the lettering sits comfortably within Danish design history and marks a crucial point when mass production and industrial production came of age and when quality and context became a significant consideration.

The most popular or, at least, the most obvious design by Engelhardt seen by citizens was a new tram for the city that he designed in 1910.

Engelhardt died in 1931, at the relatively young age of 49 but, although his career was short, he is a key figure in the history of Danish industrial design.

Urban Heartbeats
18 June 2023 to 2 October 2023

Designmuseum Danmark
Bredgade 68
1260 Købemhavn K

 

one of the display cabinets on the forecourt has this model of the plakatsøjle (poster column) designed by Engelhardt.

several versions of these advertising displays were produced for the municipality through the 20th century and some survive on streets and squares in the city

Ufortalte Historier - om kvinder, kon og arkitektur i Danmark

Ufortalte Historier - om kvinder, kon og arkitektur i Danmark
Untold Stories - on Women, Gender and Architecture in Denmark
Jannie Rosenberg Bendsen, Svava Riesto and Henriette Steiner
Strandberg Publishing
ISBN: 978-87-94102 67-4

Published 18 June 2023

A week or so ago, the Copenhagen publisher Strandberg sent me their press release for a new book on women in architecture in Denmark that was released today.

It covers the period from 1930 to 1980 that is generally recognised as the classic period for modern Danish design. Here the focus is on the architecture and the buildings linked with the emergence of the Danish welfare state and the key role played by women, working as architects and designers, in “creative collaborations that cut across genders and professional disciplines” and included the design of houses, major civic buildings, landscape architecture and urban planning.

The authors are part of an ongoing research project Women in Danish Architecture at the University of Copenhagen. Last summer they were part of the team that curated a major exhibition at the Danish Architecture Center on Women in Architecture in Denmark.

The book is published both in Danish and in an English edition for sale internationally.

Kvinder skaber rum / Women in architecture
at the Danish Architecture Center from 13 May 2022 to 23 October 2022

Strandberg Publishing

the Dragon Fountain returns to Rådhuspladsen

This morning coffee and cakes were served to celebrate the return of the Dragon Fountain to Rådhuspladsen - the square in front of the city hall in Copenhagen.

The fountain, designed by PC Skovgaard and Thorvald Bindesbøll, was installed in the square in 1923, but it was then closer to the city hall and off to the west side. At the beginning of November in 2020, it was dismantled and taken to workshops to be restored.

It has now been returned to the square but to a new position, on the central axis of the city hall, and a large, granite basin - that had originally surrounded the fountain but had been removed 69 years ago - has been reinstated.

The bronze bull fighting with a dragon and the lower bronze basin with three dragons or mythical creatures are 6 metres high overall and together they weigh about 4.5 tons and the granite basin is 14 metres across so this is a substantial work.

Below the paving of the square, there is a large pump house where the water - approximately 42,000 litres for the 19 jets of the fountain - is filtered and treated to prevent the growth of algae.

the Dragon Fountain is on the move again

 

Sikke et spild / What a waste

When we talk about waste and recycling, we tend to think about items that have come to the end of their first use and that are then collected, sorted and either found a new owner where they are reused or they are broken down or processed to produce reusable materials … so glass from a bottle bank or newspapers and magazines used to make new paper.

But this exhibition is about the material left over from the manufacturing process after the factory has cut out or cut off what it needs.

In this age of carefully-calculated profit margins, something like, for instance, metal tubing from the steel mills will come in a standard length and anything shorter will actually cost more for less as that processing adds to the time and cost of production. Manufacturers will then cut what they need from a standard length and the off cut - still basically new material - can be sold on as “new waste” to a company that can make use of those smaller pieces.

This exhibition has been developed with THE UPCYCL - an association with bases in Aarhus and Copenhagen - that puts together manufacturers with new waste and companies that can use that waste.

Det Kongelige Akademi / the Royal Academy, now has a Materialebutikken or Materials Shop where students can select New Waste material supplied by members of THE UPCYCL for design projects.

The exhibition includes stools from Anno Studio that are made from off-cuts of steel tubing that are left over from the manufacture of industrial trolleys by Ravendo A/S; the Rhomeparket flooring system from WhyNature made from the waste from the primary production from Wiking Gulve and a shelving system from Studio Mathias Falkenstrøm based on leftover materials from JEVI, Ravendo & VTI.

It is easy to miss the exhibition as it is in the City Gallery at the Architecture Center …. the exhibition space that is under the main staircase that takes visitors up from the bookshop to the main exhibition galleries.

Sikke st spild / What a waste
7 June 2023 - 29 October 2023

Dansk Arkitektur Center / Danish Architecture Center
Bryghuspladsen 10
1473 København K

THE UPCYCL
New Waste materialebørs / New Waste material exchange

 

materials from Materialsbutikken at Det Kongelige Akademi

Fang din by / Capture your city 2023

Fang din by is an annual photographic exhibition that follows an open competition.

This year, over 5,000 photographs were submitted and the exhibition shows 56 photographs that were selected by a jury and including the three winners of the main competition and the three winners of the competition open to schools.

This year the theme was “Without filter” and was an attempt to move photographers away from the picturesque subjects of cities and towns to look at less obviously beautiful and more raw subjects.

The exhibition is now on the square in front of the Danish Architecture Center but can also be seen in Køge, Kolding, Aalborg and Aarhus.

Dansk Arkitektur Center / Danish Architecture Center
Fang din by / Capture your city
Bryghuspladsen, København
9 June - 18 October 2023

design festival June 2023

 

In 2023, the annual design festival in Copenhagen - 3daysofdesign - runs through the 7th, 8th and 9th of June.

Exhibitions, launches for new designs, openings, talks and discussions … will be held in studios, design stores, exhibition venues, embassies and courtyards throughout the city.

Every year I try to emphasise just how important it is to plan your route around the city if you want to see as much as possible. This year there are just under 300 design companies, designers, design stores and museums and galleries participating and, just now, when I looked at the programme, there are 549 events listed.

For the first time this year - the tenth year for 3daysofdesign - there will be three official hubs for the festival …….. in the city it is in 25hours Hotel at Pilestræde 65, out on Refshaleøen the hub is Copenhagen Contemporary - Hal 6, Refshalevej 173A and down at Carlsberg Byen the events are centred around Mineralvandsfabrikken, Pasteursvej 20.

Around these hubs are 13 districts, each with a distinct logo, so events and openings are grouped together.

3daysofdesign
hubs & districts
programme

 

an anniversary

The first post to danish design review was on 2nd June 2013 so this web site is now ten years old.

It has changed a lot over the years although one constant has been that it is still hosted through Squarespace.

Back then, I was still living in England, but I was already planning to move to Copenhagen.

Over the following year there were several long trips to Copenhagen and then I found an apartment on Bredgade to rent that was just opposite the design museum. I signed a lease and on 20th June 2014, I picked up the keys so I have now lived in Denmark for nine years.

Having moved to Copenhagen, my initial plan was to write a book about the buildings of Christian IV but I have always been interested in modern architecture and modern design and crafts so this design blog was my way to record what I saw and what I learnt about Copenhagen and its architects and designers as I settled into life in a new city in a new country.

Somehow, as I wrote about and photographed modern buildings and modern design, the blog took over and research on 17th century architecture - trying to understand Rosenborg and Frederiksborg and Kronborg - was put on a back burner.

In terms of my background, I'm an architectural historian although, to be honest, I'm more a social historian than anything so, when I record or survey historic buildings, I'm less concerned about style and more interested in context .... so, it's about using documents and maps and recording the surviving building in detail to understand the method of construction, and the aim is to see standing fabric as evidence that can reveal not only what was built and when and how but can give an insight into how the building was used, at various stages in its history, and when and why the building was altered or adapted.

So, like an archaeologist but assessing the evidence from the ground up rather than from the surface down.

That same way of looking at and trying to understand and put into context can be applied to modern design and modern buildings to find out how and why a new piece of furniture or a new building ends up looking like that and to understand how it was made, and to see if the design evolved and how and why and to understand how a new work fits in a wider social or political context.

As a place to post photographs and thoughts, as I explored historic buildings in Copenhagen, I set up a second web site under the title copenhagen by design.

Keeping up with the two web sites - the design site and the historic building site - was getting difficult .... is an apartment building from the 1950s modern or historic and a modern design might well look back to much earlier designs for inspiration.

More .... looking at something old might make me reconsider what I think about something new or the other way round so looking at a new work can make us rethink what we have accepted as true about an historic work.

Even exhibitions and books, reviewed on the site, rarely stick to clear divisions between historic and current.

Over the years, many of the posts have been duplicated between the two sites so links were added but indexing became more and more complicated and difficult between two sites and between new and older posts.

So, in the Spring, I made the decision to merge the two sites by bringing all the posts from copenhagen by design into the danish design review site and to edit and reconcile links and tags and categories in the hope that this will give a more solid and more consistent site to build on in the future.

This housekeeping - basically copying and pasting but with some editing - has taken up a lot of time over the last three months with little obvious front-end gains for readers but most of that is finished and I can now catch up on a backlog of posts and can introduce some new sections to the blog.

danish design review and copenhagen design news reorganised

Posts from danish design review with copenhagen design news, and posts from copenhagen by design have been moved into a single web site with new and more extensive categories.

With posts from two blogs and with ten years of posts this has been a time-consuming job, with a lot of copying and pasting and with some editing, but, when it’s finished, and with a rationalisation of tags, indexing and searching for earlier posts should be quicker and easier.

There are now six primary headings - think drawers in a filing cabinet -  with posts under design, furniture, kunsthåndværk, architecture and townscape and with a new section Building Copenhagen ... for posts on the history of Copenhagen and posts on historic buildings in the city that were, until now, posted to the independent site copenhagen by design.

 

Under each primary heading, there are secondary categories that are identified by colour - so they are folders in each drawer of that filing cabinet.

copenhagen design news is the entry point to the site and all new material will appear there first before being filed under the relevant category.

danish design review will be, as originally intended, a place for longer articles about wider issues with a format more like a journal or magazine.

Tags and links - the links both within the site and to external web sites - are being checked and updated. After ten years, web sites and physical stores and studios have moved or have folded.

Links on the left, at the bottom of a post, are to other posts within this web site and links at the bottom of a post to the right are to external sites.

Readers clicking on tags at the bottom of a post can see other posts so, for instance, other posts on the blog about other work by a designer.

Full versions of book reviews and exhibition reviews are in their own categories and have their own indexes.

I just hope that this is not all too complicated for it's own good.

 

Here are all the categories for danish design review:

 
 

CAFx - Copenhagen Architecture Festival 2023

 

A festival on urban planning, landscape and our built environment within the overall festival theme of Life Form.

Through the festival, there will be over 100 events throughout the city including exhibitions, films, talks, book launches and guided walks.

These will explore ideas about regenerative design, bio-inclusive biometrics, symbiotic co- creation and architectural asceticism.

Many of the events will be in two post-industrial areas of the city ..... around Halmtorvet and Kødbyen .... the old hay market and the meat market .... and in Jernbanebyen .... the old railway works.

Copenhagen Architecture Festival
1 June - 11 June 2023
events

 exhibition - Spaces of Dignity
1 June 10 August 2023

 Design in the Age of AI
SPACE10
from 2 June 2023


note:

If you subscribe to Politiken on line, they published a guide to the festival with essays and the full programme on 13 May 2023 and that can downloaded as a pdf file

Copenhagen Photo Festival 2023

 

Today is the grand opening of the 13th Copenhagen Photo Festival. The "overarching theme is rewilding" and the festival is dedicated to the UN's 17 sustainable development goals.

The events are centred on Beddingen, the festival park on Refshaleøen, with 13 separate exhibitions, both inside and outside, in the old ship-building yards but there will also be exhibitions, workshops, talks and screenings around the city with major exhibitions on public spaces including Fang din By at Bryghuspladsen and exhibitions on Højbro Plads and Bertel Thorvaldsens Plads.

There are six major solo shows with the works of Nanna Heitmann, Craig Ames, Erik Berglin, Daniel Hinks, Hilla Kurki and Kristina Knipe.

On Sunday 4 June, in partnership with the festival, there will be a photo book market and talks throughout the day at GL STRAND

Copenhagen Photo Festival
Festival Office Villa Kultur
Krausevej 3
2100 København Ø

Programme
1 June - 11 June 2023 

Fang din by - Uden filter / Capture you city - without filter
9 June - 18 October 2023

SPOR ... the work of Dorte Østergaard Jakobsen and Jacob Hilmer

An exhibition at Officinet of works in acrylic and textiles by the designer Dorte Østergaard Jakobsen and metal panels by the architect Jacob Hilmer.

SPOR
Danske Kunsthåndværkere & Designere
Officinet, Bredgade 66, Copenhagen
19 May to 17 June 2023

Dorte Østergaard Jakobsen
Jacob Hilmer

Dragesprinvandet / The Dragon Fountain is back on the square in front of the city hall


Today, the Dragon Fountain was moved back to Rådhuspladsen and lifted into place at the centre of a shallow granite basin that reinstates an earlier form of the work.

By the time I got to the square, the bronze basin with the lower dragons clinging to its rim and then the upper sculpture of a dragon and a bull fighting were all in place and the compound was empty of people although an article in Politiken, in their evening edition, described just how many problems there had been through the day in getting the bronze work to drop into place over the centre of the granite basin.

In 1901 - when the fountain was first set up in Rådhuspladsen - it was in the south-west corner of the square, close to the city hall, but out to the west side.

In 1954, when Hans Christian Andersens Boulevard was established as a main and therefore wide road across the west side of the square, the fountain had to be moved in towards the city hall.

The square has seen major changes over the last couple of years with the construction of a station for the metro and after being dismantled and after it was restored, the fountain has now been given a new and more prominent position on the axis of the main entrance into the city hall and on the short cross axis of the square it is now in line with Strøget …. The Walking Street.

A post here - from November 2020 - when the fountain was dismantled and taken from the square for restoration - has more photographs of the fountain and more information about the design.

Once the fountain is connected to water and after all the paving has been reinstated then I should be able to take a picture-postcard view.

the Dragon Fountain is on the move again
2 November 2020

 

the stone base for the fountain photographed at end of April
note: the temporary wooden rail around the rim and a metal beam pivoting at the centre of the fountain to carry a curved former that was swept around, once concrete had been poured in, to form a shallow basin with a consistent profile

 

a walk along the lane of the outer defences

 

On Sunday afternoon I walked up to Refshaløen to see a new exhibition - Yet it Moves! - at Copenhagen Contemporary.

Door to door it’s about 2 miles or just over 3 kilometres.

From my apartment I crossed over the open space of Kløvermarken and at the old outer defences, instead of crossing over Dyssebroen - the bridge to Christiania and the route I would take to get into the city - I headed north along Middyssen and Norddyssen and the line of four redans. This was the outer line of defences that were reinforced in the 19th century to protect an area of water outside the bastions of Christianshavns Vold that protected the part of the harbour where the large war ships of the Danish navy anchored when they were in Copenhagen.

This outer defence is a narrow strip of land with a lane on the city side between the redans. These redans are triangular and have buildings surviving from the military fortifications. They project out so that from each there is not just a view out towards Amager, to see if attacking troops are on the move, but also give the defending soldiers a view each way along the outer face of the bank to give covering fire.

There is a wide stretch of water to the west, to the city side, with views of the bastions of Christianshavns Vold. Even though this is looking towards the centre of the city, about all you see across the water are reed beds and the trees on the banks and bastions with just a few low buildings including the group of green houses and outbuildings of the restaurant Noma.

On the side of the lane away from the city there is a low bank, now covered with trees, but originally this provided cover for troops moving along the inner lane. On that outer side of the outer defence there is now a shallow stream that is all that is left of a wide stretch of marsh and shallow water between the defences and the original shore of Amager.

This is not nature in the raw but dense planting includes mature trees and good growths of shrubs including decorative species like magnolia and lilac. Small gardens have been established by the families living here and the wide stretch of water has extensive reed beds along the shallow water of the shore and it is a haven for water fowl.

Houses along the lane are part of the settlement of Christiania and were built with salvaged and reused materials and well before most people even considered that rampant redevelopment in concrete and steel could possibly be a problem.

I said walk but it was more like a slow saunter taking photographs as and when.
I saw the exhibition at Copenhagen Contemporary and then headed back as the light softened. The photos above are shown simply in the sequence I took them.
Every time I do this walk, I appreciate that this is an amazing part of the city because here I am not out on some distant country lane but just a kilometre or so from the centre of Copenhagen.

Platform C - Syddyssen by Fokstrot

Dyssebroen … the bridge from Christiania to the outer bank of the defences
on the far side of the bridge, syddysen is the lane to the right and middyssen is the lane to the left

① Kløvermarken
② Dyssebroen
③ Øens Have
④ Copenhagen Contemporary

Øens Have on Refshaleøen has opened for the summer


Øens Have - the urban farm on Refshaleøen with a restaurant and space for events - has opened for the summer.

There are still rows of winter greens that have survived but the first leaves of recently-sown vegetables for the new season are coming through.

I walked past just four weeks ago and the change in the garden in that short time is amazing.

Øens Have
Refshalevej 159b
1432 Copenhagen K

Thursday 17.00 - 23.00 / Friday 11.30 - 23.00 / Saturday 11.30-23.00 / Sunday 11.30 - 21.00

 
 

early afternoon on a warm Saturday in May

Today was the warmest day of the year so far.

I did some shopping in Amager and then sauntered across Kløvermarken and through Christianshavn and over the inner harbour bridge to Nyhavn and the square at Kongens Nytorv.

People in the city make use of the streets and squares and open spaces of the city to sit outside at any time of the year but particularly if the weather is good. I took a few photographs and it was only when I downloaded the photos that I realised nearly everything here is about eating and drinking outside but there are also major events, exhibitions and participatory sport outside and through most of the year.

On Holmblådsgade, a main street that cuts east west across Amager, there are now several cafes and bars with outdoor seating but here a side street on the west side of Nathanaels Kirke has been closed to through traffic and the restaurant and bar on the corner can spread it’s tables out across what is a good sun trap. Rather than being a problem, passing traffic and people walking along the pavements is a good distraction and means that there is a good amount of banter and interaction with locals.

The open green space is in that intermediate area between Christianshavn and Holmen and is behind the Hal C sports centre. This was a loud and well-supported rugby tournament for women though the food and drink and barbecues for families and friends there to give support seemed to be as important as the sport.

Crossing over the harbour bridge and looking back down onto the quay at Krøyers Plads, it was clear that again this summer the wood decks here will be the place to pose and see and be seen if you are in your teens or 20s or even your wanna-be-young-again 30s but it certainly helps if you are happy to dive into the water even if it is still numbingly cold.

The restaurant and bar at Charlottenborg - the 17th-century palace of the Danish Royal Academy - is another great sun trap and here, tucked around the corner from the gate from Nyhavn, you are barely aware of the press of tourists just metres away as they jostle for tickets for the harbour boat tours or argue with their kids about what ice creams they want or do or do not deserve.

 

Trends & Traditions 2023

Trends & Traditions is a design trade fair that seems to be, after just a couple of years, a strongly-established and important event in the annual calendar for design in Copenhagen.

The venue is the old workshops in what was the railway yards and repair shops of DSB - the Danish state railway - and is out to the south west of the city centre. Most of the railway works have gone and this is now a major redevelopment area but curiously, although it is alongside the main railway as it runs out of the central station, for trains heading for Roskilde or for the airport at Kastrup and then on to the bridge over the Sound and then to Sweden, it is not the easiest site to reach by public transport although the event laid on shuttle buses. Because it was a warm and sunny day, the walk is pleasant and fascinating as a chance to look at the abandoned railway buildings.

There were just under 130 design companies listed on the event web site for this year and, although I did not take a check list to tick them off, all the big Danish design companies were here and a fair few from Sweden and elsewhere including Vitra.

Trends & Traditions is promoted as a furniture design “meet and greet” and certainly seems less competitive and more relaxed than the very big international shows. Generally, the area for each company is small and the stands themselves relatively simple with furniture set on the floor but usually with a few good information panels or display counters. It really is a good chance to meet designers and representatives from the companies.

The locomotive works has a good area outside and there were food and drink stalls there and a lot of coffee carts inside and many of the companies offered snacks and drinks so it feels like a fairly relaxed and very friendly set up.

There were also talks and discussions arranged through the day and this year speakers included Tom Dixon and Svend Brinkmann.

Several companies used the event to present newly-launched designs and there were some clear themes with several of the stands focusing on sustainability and reuse. The furniture consultancy and trade furniture supplier HolmrisB8 had a large area at the centre of the space to show reutilised office furniture and table tops and so on made from recycled wood or recycled textiles. Several companies showed solutions for sorting materials to be recycled from the home or in the office.

Trends & Traditions
Lokomotivværkstedet
Otto Busses Vej, Copenhagen
3 May 2023

including the FRAMA stand, an original option for a black and white version of the Panton Flower Pot lamp that has been reissued and details from the HOLMRIS8B stand

 

sorting waste to be recycled from Cube-Design

Danmarks næste Klassiker at Trends & Traditions


There was a lot of interest in the stand at Trends & Traditions that showed some of the designs from Danmarks næste klassiker - the Danish television series that was broadcast in the Spring. At least four of the designers were around to answer questions.

What was not obvious, from watching the programme, was the high quality of finish of the prototypes.

The format of the show means that the designers are set a project task and then have just three weeks to complete the design, source materials, resolve problems and produce a prototype either themselves, in their own workshops, or, where special technology is needed, work with small workshops or small industrial independents.

Several of the designers worked with 3D printers and again the quality of the finish, seen up close, is impressive and clearly that technology is improving rapidly.

Danmarks næste klassiker / Denmark’s next classic 2023

Danmarks næste klassiker