Løsninger - KADK Afgangsudstilling Design/Architectur/Konservering

 

There are just a few days left to see the exhibition of graduate projects from the schools of architecture, design and fashion at the Royal Academy.

Under the overall title Løsninger, Solutions, there are 235 projects from students who graduated this year. They look at a huge range of topical design problems from the potential reuse of existing or abandoned buildings, to the development of new materials for construction and for fashion; to the design of shared living to combat loneliness and the possible use of the metro system in Copenhagen to create a new distribution system for goods and there are assessments for marginal lands both for protecting vulnerable landscapes or for building settlements on marginal land as climate change effects existing areas of habitation.

This is an opportunity to see where and how teaching is anticipating future developments in architecture and design and it is fascinating to see how models, drawings and the background research for work are presented.

The fashion projects have already been dismantled as they were shown at another venue through fashion week but the architecture and the furniture design and the ceramic and glass projects and graduation work on typography and game design can be seen through to the 16 August.

 

Løsninger - KADK Afgangsudstilling Design/Architectur/Konservering

KADK, Danneskiold-Samsøes Allé 51, 1435 København K

 

St Catherine's College

DR - Danish Broadcasting Corporation - are showing the British crime series Endeavour but retitled here in Denmark as Unge Morse or Young Morse.

Set in Oxford in the 1960s, this is the prequel to the very popular detective series Inspector Morse that was made for ITV and broadcast in England through the 1990s.

This episode of Unge Morse - Bytte / Game - is centred around a chess match between a Russian Grand Master and a computer developed in Oxford.

The computer is pretty amazing - all reels and green screens and of course not a UI in sight and there is an interesting role for a public swimming pool but the star of the programme this week is actually a building designed by Arne Jacobsen … St Catherine's College in Oxford that was completed in 1964. It retains much of the original furniture and light fittings by Jacobsen so look out for the Series 3300 in a corridor and, of course, the high-backed chairs in plywood made by Fritz Hansen for the high table of the great hall and now known as the Oxford Series.

 

curious!

April 2019

August 2019

And no the captions are not the wrong way round. That’s what is curious or do I mean interesting?

This is the new building alongside the suburban railway station of Østerport in Copenhagen.

Designed by KHR Architecture, this is the extensive remodelling of an existing line of shop units that had a street frontage in fairly brutal concrete and is now to have a new office building behind with everything clad in this rather distinct glass with a sort of raspberry ice cream colour. The design has been heavily criticised in the press, in part as being inappropriate on this prominent site, in part for the glass that caught the light and was even accused of blinding car drivers and it was rated the “grimmest building” in the city by one critic.

Photographed yesterday, as I happened to be walking by on my way somewhere else, it looks as if all the cladding on the front towards the road has been removed. I’m curious to know exactly why and will watch to see what happens next.

Oslo Plads

voted the grimmest

Frue Plads Marked

For three days at the end of the week, the annual craft market will be on Frue Plads - the square next to the cathedral in Copenhagen.

Organised by Danske Kunsthåndværkere & Designere / The Danish Association of Craft Workers and Designers, this is an opportunity to see and to buy some of the very best ceramics, glass and textiles made in Denmark.

Thursday 8 August 12 - 19
Friday 9 August 10 - 19
Saturday 10 August 10 - 16

for further information about the craft market 

320x320-Mobil_final-high.jpg

Lille Langebro

Yesterday a new bridge in Copenhagen opened for cyclists and pedestrians to cross over the harbour from the city side just south of BLOX to Christianshavn. There appeared to have been no opening ceremony and no notices in the newspaper.

It’s very elegant and forms a gentle curve as it crosses the harbour.

First thought is that it makes the bicycle and pedestrian bridge from Nyhavn to Christianshavn look clunky and over engineered.

 

the new circle line of the Copenhagen Metro to open 29 September

 

The major new extension of the Metro in Copenhagen - the circle line round the historic centre - will now open on 29 September. Above is the important new station at Trianglen - just at the south-east entrance to Fælledparken - showing much of the new hard landscape in place but the planned avenues of trees along each road edge still to be planted and architectural features, such as the glass pyramids that will throw natural light down onto the platforms, are still to be installed. Most of the new stations are at about this stage of completion above ground but the main reason for delay appears to have been caused by late delivery of the trains and the postponement of mechanical, electrical and safety testing.

Photographs of the station platforms and various designs and different and specific colours for tiling, appropriate for the neighbourhood, have been published in some newspapers and show not just different and specific schemes for each station but a clear departure from the consistent design and the concrete finish of the existing stations on the first two metro lines constructed at the beginning of the century.

DANISH™

It has just been announced, on the site and through their newsletter, that DANISH™ is to close.

They have a distinct, clean and well laid-out site with carefully edited and well-edited text in English - this is a Danish site - and they covered general design topics, current and ongoing news about design and architecture, assessments of design and architecture studios and reviews of specific new products. The team were, I believe, four or five people and they had established the site with initial grants but had then moved over to a financial format that had companies subscribing - rather than relying on one-off advertising revenue.

It’s a great loss and shows just how difficult it is to establish and maintain a serious design site with high editorial standards.

The newsletter indicated that the material from the site will continue to be available and is well worth consulting because it set a standard for serious design journalism on line that too few have so far matched.

DANISH™

 

Sankt Hans Aften

The floating bonfires at the end of Nyhavn and at Ofelia Plads on the Eve of Sankt Hans.

This is the celebrations on the evening before the Feast Day of St John the Baptist which is also close to the summer solstice and the longest day is linked with more ancient and less Christian legends and beliefs for this is the evening when witches fly to the Broken or Bloksberg in the Harz Mountains - the story that inspired the music known as Night on a Bare Mountain composed by Mussirgsky and the later orchestral version by Rimsky-Korsakov.

In Denmark the celebrations open with traditional songs before the bonfire are lit.

Not much to do with architecture and planning …….. or rather this is a brilliant example that shows where city planning has to create public spaces that can be a venue and can cope with events like this.

Ofelia Plads - the relatively new public space immediately north of the National Theatre and across the harbour from the Opera House - can accommodate surprisingly large crowds with plenty of room for food stalls and with parking below the wharf and it is at the end of a bus route that terminates at the end of Sankt Annæ Plads and has a stop for the harbour ferry just the other side of the theatre …… oh and plenty of water if the bonfire should take on a life of its own.

Servitudes - Jesper Just at Kunsthal Charlottenborg

Servitudes, a video installation by the Danish artist Jesper Just, has opened at Kunsthal Charlottenborg in Copenhagen.

The architecture of the gallery space has a strong part framing or containing a series of eight videos including one projected onto the floor but all synchronised and seen on a proscribed route along a raised metal walkway with a series of ramps that are reminiscent of temporary access ramps for wheelchairs. These take the visitor through the series of large but dimly-lit spaces and rise high enough to mean that at one point it is necessary to duck down to get under a doorway that normally forms a high and wide link between gallery spaces.

Each film is on a continuous loop and dominate your view point distorting any real sense of scale and most visitors seemed to watch each film through so another and strong element of the exhibition is groups of people seen as silhouettes leaning against the rails of the walkways or, in one gallery, sitting on a bank of platforms.

The videos too have a string architectural theme and were filmed at One World Trade Center. One has a series of lift doors in a large lobby that are opening and closing to no discernible pattern but with no one entering or leaving and one film has a young woman in a barely-furnished space looking out through high plate-glass windows at a landscape of the city skyscrapers. In another, the camera pans slowly across a finely-detailed glass and steel façade broken by rhythmic tapping that eventually resolves into a young girl, back to the camera. striking a panel at street level with a stone.

The catalogue rightly describes the exhibition as mesmerising.

Servitudes, Kunsthal Charlottenborg, Copenhagen
the exhibition continues until 11 August 2019

Formgivning … from big bang to singularity

  • Connect by Bjarke Ingels and Simon Frommenwiler at entrance

  • BIG at BLOX

  • stairs up with the start of time line

  • PLAY - models of the buildings in LEGO

  • SHOW - Manhattan

  • HOST and LIFT

  • proposal by BIG for BIG in Nordhavn

 

BIG - the Bjarke Ingels Group - have taken over the Danish Architecture Centre in Copenhagen so this exhibition is not just in the two main galleries but flows up and down the staircases and even reaches out into the entrance area. About the only space not occupied by BIG is the half-in-half-out space of the lobby to the underground car park and they also missed an opportunity to take over the public square in front of the building.

Bjarke Ingels is one of the best communicator of ideas and theories about modern architecture - his talks on line are exceptional - so here, at several points in the exhibition, there are life-sized images of the man himself introducing his work and explaining his theories and their application to the phenomenal number of major projects with which BIG have been involved over the last fifteen years.

The main staircase, climbing up from the entrance level, has become a time-line of architectural and cultural history … “the history and future of how thinking, sensing, making, and moving have evolved and will continue to evolve.”

In the gallery at the first landing, PLAY has models of 25 BIG buildings but made by master model makers using plastic LEGO bricks.

Ingels designed LEGO House, in Billund, for the company - completed in 2017 - and here that partnership - between the company and Ingels - is reinforced. This makes a serious point that getting children to see architecture and design as fun from the start - from playing with building bricks or by building dens or play houses - then their approach to their built environment as adults will be more informed and more curious and possibly more adventurous - but the models in LEGO also make sense of these large and complicated buildings by BIG in the way that cartoons or sketches from a good artist can focus our attention on the essential elements of a complicated idea.

Up on the main exhibition area, the floor has been painted with swirls of strong colour that take you to colour-coded areas for this part of the exhibition with each area covering one of the series of main themes. It's a way to group complicated but apparently diverse commissions with sections including - among many others - LIFT, HOST, MARRY and GROW … caps courtesy of the exhibition designer and not mine.

Architectural drawings and rendered digital views - again all colour coded - hang from the high ceiling like banners so it feels like entering a huge medieval bazaar with a touch of Mad Max or Burning Man.

  • model for new apartment building on Dorotheavej in Copenhagen

 

In each section, on trestles, there are architectural models.

Scale models for building projects are the traditional and the well-established tool of the architect and usually a final stage between concept and reality. Models can be the best way for the client and the planning officers to understand what the architect wants to do and models are particularly important if people distrust sketches or are not comfortable with reading and understanding plans and scale drawings.

Here, many of the models are internally lit - to add to the drama - and several use colour for the model that is not used in the final construction but emphasises the main volumes or large building blocks of the architectural composition and there are also some projects where a series of models show how a project evolved as different arrangements of volumes and primary building blocks were tried and ideas developed.

Down the stairs to leave and you find the BIG vision for the future - our future - including concept studies for people building on Mars. As you walk down the stairs, the sections are headed LEAP, THINK, SENSE, MAKE, MOVE.

As an exhibition, it is overwhelming and I will have to get into training and start overloading on energy bars before going back to think about a more carefully-considered review to add to this initial impression. Even if it sounds like it, I'm not carping or trying to be cynical. Seen together, these projects by BIG are impressive and the exhibition really is inspiring. So … the first impression is that it is overwhelming but inspiring.

Ingels is clearly driven - by enthusiasm and with passion - and revelations of theories underlying his ideas should, at the very least, initiate serious discussion about what we need from our buildings now and encourage people to think more about what we want in the future or, to quote, “rather than attempt to predict the future, we have the power to propose our future” although I’m still not sure if that we with the power is us or BIG.

It is appropriate that this exhibition follows on from the retrospective, here at DAC last year, that looked at the life and works of Ove Arup. Both men, although so different in character, can be seen as philosophers who, rather than write, build and make. Both set out to challenge the preconceptions of the staid or the cautious, to move architecture and engineering forward an alternative to simply making sequential improvements or recycling ideas.

If there is one omission, it is that Ingels fronts an atelier - a team of 600 professionals who are divided between offices in Copenhagen, London, Barcelona and New York - but from this first look at Formgivning there seems to be little sense of how responsibility is managed or delegated: an architectural practice on this scale and with this throughput of commissions is as much about management skills and, with growing fame, about the management of expectations as it is about inspiration.

And there is an aspect of modern architecture that the exhibition skirts around and that is the problems and the realities of the present. We tend to gloss over or ignore obvious mistakes of the past as now they are in the past and we want to be rushing on towards the buildings and the materials and the life style and the promises of an attractive and imminent future but in reality, and to be honest, architecture and building, particularly on the scale of many of these projects, is a protracted process where the present is the slowest part. The limbo of the present. Many of the designs here were commissioned five or more years ago and could take a decade to complete or might, even now, be shelved or abandoned as political or environmental pressure dictates a different course.

A case in point is shown in the exhibition with drawings and models for a new building in Nordhavn - the North Harbour - that has been designed by BIG for BIG.

It has been on hold for months because the proposals submitted were rejected in the planning process. A future on hold is frustrating but, sometimes, to take stock and to have to defend a design and to have to fight a corner or, even, when necessary, to accept and understand and take on board concerns should not thwart inspiration but could mean a better building but, in reality, it can be a slow and frustrating process.

BLOX, the new home of the Danish Architecture Centre by the architectural practice OMA, was commissioned in 2008 and completed in 2018. It has been heavily criticised but the rejoinder has been that if this building was commissioned today, it would not be this building that would be commissioned. Will that also be true for some of major projects from BIG that are shown here but are still to be realised?

If there has to be one single and simple contribution that the exhibition makes, it is that Ingels - in the very title of the exhibition - seems to challenge our use of the word design.

For at least the last decade, the word design has been kidnapped by marketing men so, for too many, design has become not so much a process but little more than an ingredient … a selling point to up the amount on the price tag.

Bjarke Ingels seems to have thrown in the towel and abandoned the word to go back to a Scandinavian notion of giving form so, the role of the architect is to have the idea and then to make that idea real … to have the idea and to give it form.

 

Formgivning / Formgiving
an architectural future history from Big Bang to Singularity
continues at Dansk Arkitektur Center / Danish Architecture Centre in Copenhagen
until 5 January 2020

Bag on Året, København 2018 /  Behind the Year, Copenhagen 2018

Blankt Papir Press was founded in 2017 by the art photographer Julia Mejnertsen and is  described as a nano-publishing house.

Through 2018 they collaborated with 80 Copenhagen-based photographers to produce images of the city and it's citizens that were published as 12 books - one for each month - with a limited run of 100 for each.

The premise was that "Copenhagen has been named as 'the most liveable city in the world' several times and we have seen many beautiful vistas of the Danish capital, but reality is always far more complex."

The photographs were shown at the Machine Hall through the Copenhagen Photo Festival as a series of booklets … each the work of one photograph and with the works arranged by the month to which they contributed.

Blankt Papir Press

Copenhagen Photo Festival - Festival Center Refshaleøen

 

For the Copenhagen Photo Festival, the centre is over on Reshaleøen at the north end of the harbour - out beyond Christianshavn and Holmen - on the site of former shipyards.

Many of the workshops, office buildings and dry docks of the yards survive in various states but the area has seen a rapid transformation over the last couple of years with new restaurants, the food market of Reffen - now here for its second summer - a bakery and flea market along with a major new gallery of modern art - Copenhagen Contemporary - now also in it's second season.

The photo festival is spread over three main venues and each with a very different character as exhibition space.

At the north end is a group of stacked shipping containers with open ends where the works of Franziska Gill and Marco Marzocchi are shown and outside, on scrub land with the footings of demolished buildings, are the photographs of White Rage by Espen Rasmussen and the large images for Living Room by Jana Sophia Nolle.

All these works are essentially photo journalism and all gain from the temporary and therefore immediate feel of the spaces where a more traditional and polite modern gallery could make the images appear detached from the subjects. In particular, the images of White Rage seem even more of a challenge when seen outside against trees and rough grass as if they are in a post-conflict site of destruction.

To the south, close to the food market, the Machine Workshop is a huge space that provides the venue for Censored - the main open show for fine art photography - the exhibition Hail by Garrett O Hansen; a video installation - KOMA RETREAT - by Mathias Løvgreen and the installation Behind the Year by the independent publisher Blankt Papir Press.

The space above Copenhagen Contemporary with photographs by Mary Frey could not be more of a contrast. It's a vast and light space with an amazing roof and all recently restored. These enormous halls will be used by Copenhagen Contemporary for work with schools and for additional exhibitions beyond or rather above the space of the vast galleries below. For the Photo Festival access was by a relatively narrow metal staircase with a straight single flight that seemed to go on and on climbing for ever - almost surreal.

Copenhagen Photo Festival continues until 16 June 2019

 

Refshaleøen as a venue for the Copenhagen Photo Festival

Although there are exhibitions all over the city, Refshaleøen is the centre for the Copenhagen Photo Festival.

The area - with huge but abandoned buildings from the shipyards here until the 1990s - has an incredible atmosphere - part dereliction and decay and part alive with energy as the area is being transformed.

It's definitely photogenic with amazing materials, colours and texture and with strong contrasts between areas of decay hard against buildings and areas being given a new life.

But there is an odd disjunction ….

The area has become a playground for the city. Of course that's not in itself a bad thing because Copenhagen needs somewhere where people can make a noise - the heavy metal festival Copenhell is out here at the end of the month - or make a mess and it's somewhere artists and makers and young start-up companies can find work space with low or relatively low rents for now in this interim period before developers and money men move in and they are driven out. The area feels consciously edgy but maybe slightly hyper because everyone knows the clock is ticking.

There are actually expensive places here to eat and drink alongside a huge variety of foods from the food market … and I'm not knocking any of that … I'm as middle class as you can get and come out here to Lille Bakery to buy some of the best bread in the city … but ……

And this is where my inner puritan kicks in …Refshaleøen was a huge and, for the post-war Danish economy, a crucial industrial site where thousands of men worked and worked hard and the memory of that is fading and disappearing. Machinery, hoists, cranes have all gone with little remaining to tell you what was done and where.

I'm not romanticising work that must, for many, have been hard and grim. It's just that it is now 30 years since ships were made here so there must be fewer and fewer people alive who actually worked in the yards. Should people now still try to understand all that and remember? Do we need to understand how we got here to make sense of where we are going?

If you stopped any of the foreign students arriving in droves on their bikes or any of the tourists off the ferry and asked them then very few would even know that this part of the city had been a shipyard. Does that matter?

My first trips to Copenhagen were after the ship yards closed, so I have no first-hand idea of what this area was like through the 1950s and 1960s, except from looking at old photos and maps  and maybe that is the other odd thing that few visitors will understand … this land was claimed from the sea, became a major industrial area and failed and dismantled and abandoned in just three decades. In an age when we are more and more concerned about our impact on our planet, is Refshaleøen a stark example of man moving in, transforming a landscape and moving on leaving the mess … so a monument to hubris … or a lesson in pragmatism … our ability to salvage and make something new once the old is no longer of use?

And if I missed the shipyards, I do remember the area before gentrification began … exploring and taking odd photographs of scrap yards and wire fences and vicious guard dogs and feeling uneasy, knowing I was intruding, and waiting to be challenged or seen off at any moment.

Again I'm not romanticising that in any way but maybe cities need scruffy land on the edge of regulations and outside planning and controls although, I guess, that is not on the agenda of the politicians and developers.

Royal Run

 

Today, the bank holiday Monday, was the day of the Royal Run. The Crown Prince and all his family ran. It was only the second year for the event but this year, held in four cities, 82,000 people ran either a mile or a 10 kilometre course. In Copenhagen, that longer run was from the centre of the city out to Frederiksberg and back.

The organisation in Copenhagen was amazing because a huge part of the centre was cleared of traffic and barriers had to be set up along the course to keep back the crowds who were watching and cheering on the runners. At busy points there were even temporary bridges over roads, constructed in scaffolding, to take pedestrians up and over the course.

Before the start, runners were marshalled in the streets around Sankt Annæ Plads before entering their race by crossing over the bridge at the centre of Nyhavn and setting off by running through the temporary arch of a starting gate. With so many runners, the start was staggered over several hours but runners waited patiently and with very obvious good humour.

The Royal Run has nothing to do with architecture or design but it certainly has a lot to do with city planning and with a positive and flexible attitude by city councils who have to licence and provide the infrastructure and facilities for such a hugely-popular public event.

This was all about encouraging people to participate and if they do not run already, then to encourage them to take up running for a healthier life and it needed a phenomenal amount of planning and organisation by the city to make the event such a success.

Status:19 - Dansk Journalistforbund - Exhibition Bus Højbroplads

Part of the Copenhagen Photo Festival, this is an exhibition of 100 photographs by professional photographers shown as digital images on a mobile exhibition venue - the PIXLBOX or exhibition bus from PIXLART.

More than 2500 images were submitted by photographers who are members of DJ: Fotograferne … a section of Dansk Journalistforbund or the Danish Union of Journalists … and reflect a broad range of photographic work from commercial photography through portrait work, art photography and photo journalism.

The photographs were selected within an overall framework of five themes …

  • portrait

  • commercial

  • communication

  • art

  • journalism

 In the exhibition bus the images are digital, shown on a number of screens of different sizes and set portrait and landscape, and several images were shown cropped on more than one screen so there was an interesting opportunity to see how the message or story from an image changes with editing.

Shown on large, high-resolution screens the images have an intensity and depth that is rarely there on the printed page … just compare the images in the exhibition with those in the printed catalogue. That is not a criticism but simply the reality of keeping down the cost of printing the catalogue but then it becomes simply an aide memoir.

The large digital images showed strong vibrant colour where appropriate; the smallest detail in high resolution images and the nuances of soft light in the portrait by Søren Bidstrup of Lars Von Trier in a misty autumn landscape in a river valley.

The images scrolled through so there were often fascinating juxtapositions of images that established a momentary dialogue from the contrast. At one point an informal but still formal portrait by Niels Hougaard of HKH Prince Joachim, second son of the Danish monarch, in military uniform, was set, for a few seconds, next to an image by Rasmus Flindt Pedersen of a street in Mosul as people dealt with the bloody and grim reality of war.

It is a good exhibition space that is restricted but that actually means you focus on the image directly in front of you and the space is designed to have some seating to watch all the images on each screen scroll through and, above all, it is designed to bring art to streets and public spaces anywhere where people do not have easy or direct access to art. 

Many - on fact most - of the images are about context and back story - about why or what might or what probably happened next. Many capture just how weird life can be.

 

this exhibition was shown first through May in Viborg.
Status 19 in the exhibition bus is on Højbroplads from 6 June to 11 June 11-19

 

COPENHAGEN PHOTO FESTIVAL
DJ: Photographers - Status 19
PIXLART
PIXLBOX

 

Fang din by - forandring / Capture your city - change 2019

 

Fang din by - catch or capture your city - is an annual photographic competition at Dansk Arkitektur Centre - the Danish Architecture Centre or DAC - that demonstrates “that our cities are full of quirky details, historical corners, new urban spaces and fantastic architecture.”

This year the theme of the exhibition is transition in the city because our cities are changing every day and that change is fast. "We adapt to climate change, building height, the old is torn down creating new urban spaces." Information about the competition posed two questions ….

How does it look when old meets new? 
Is the transformation of our cities always good? 

Along with information about submission of images for the competition were also the recommendations that photographs should not only reflect the theme for this year but should also be an "exciting composition" and show the "interaction between urban space and people.

The competition was open to professional and amateur photographers and this year 3,000 people submitted images.

A final selection was made by a jury with Maja Dyrehauge Gregersen, Director of Copenhagen Photo Festival; the photo journalist Janus Engel Rasmussen, and Christian Juul Wendell, Head of Communications at the Institut for (X) and project manager at Bureau Detours.

The overall winner was announced at the opening with the second and third prize and there was a second and separate competition for schools and again the winner and second and third prizes were announced.

Fang din by was organised in collaboration with the Copenhagen Photo Festival and the opening coincided with the opening of the Festival.

the exhibition can be seen outside on Bryghuspladsen in Copenhagen
- the public square in front of BLOX -
from 7 June through to 30 August

for the first time this year there will also be a separate but closely-related exhibition - showing a different selection of images - that will be moved between a number of venues around the city.

That exhibition can be seen at:

  • Nytorv - 7 June to 20 June

  • Israels Plads - 21 June to 4 July

  • Rådhuspladsen - 5 July to 18 July

  • Kultorvet - 19 July to 1 August

  • Den Røde Plads - 2 August to 15 August

  • Højbro Plads - 16 August to 30 August

  

Dansk Arkitektur Centre - Fang din by
Copenhagen Photo Festival
Bureau Detours
Institut for (X)

Fang din by - Bryghuspladsen

 

Fang din by - Nytorv

update - Lille Langebro

Lille Langebro is almost complete with final work on the hard landscaping on the quay at at each side almost finished.

This is the new bridge for cyclists and pedestrians that will cross the harbour from Christians Brygge, from the quayside opposite the end of Vester Voldgade, to the Christianshavn side and lining up with Langebrogade.

Current traffic surveys suggest that there are around 40,000 cycle journeys a day across the main road bridge - an astounding number - and planners hope that at least 16,000 cyclists a day will change there route to the new bridge and also avoid the heavy and relatively fast road traffic along Hans Christian Andersens Boulevard.

The official opening is set for the Autumn but opening and closing of the new bridge is already controlled from the tower of the main bridge so presumably the wait is for safety tests.

There was a post on this site when the sections of the new bridge were lifted into place but Realdania have since posted a time lapse record of that work over two days when the four sections were delivered by barge from where they were manufactured in the Netherlands and were lifted into place by a giant crane.

post on Lille Langebro in September 2017

lifting the sections of the bridge into place April 2019

a change of sign ….

Back last August, I wrote a post about the new 7-Eleven store that had opened on Gammel Torv on the ground floor of the Stelling building by Arne Jacobsen … or, rather, the post was about the signage that I described then as a travesty.

This week I was cutting up through the square and realised that all the signs have been changed and the original facing above the shop windows appears to have been restored so, credit where credit us due, this a huge improvement.

I would be curious to find out when the signs were changed and if there had been lobbying or pressure on the company from the public or from the planning department.

the post in August 2018

the Stelling building by Arne Jacobsen

 

a reminder of what went up in August ….

a change of view

from the window by my desk - my new view

I've just moved to a different apartment.

Working from home, spending my time reading and writing, what I want, above everything, is a bright and well-lit room but it also helps to have a good view.

The first apartment I rented in Copenhagen was in one of the grand apartment buildings in Frederiksstaden from circa 1900 but was up at the top in a new conversion of the roof so it was the best of both worlds … a grand staircase up, from what had been the carriageway through to the courtyard, but with modern, up-to the-minute insulation, and there was a panoramic view one way across Kastellet and across the sound to Sweden - in the distance and on the skyline - and, looking the other way from my desk, the dome of the Marble Church filled the view.

The second apartment was in a purpose-built block from the beginning of this century, so a relatively standard modern Copenhagen apartment. It had floor to ceiling windows, and from my desk I looked at the tower and spire of Christians Kirke and looked down across the churchyard so a light and quiet place to work.

Here, in the new place, I'm now in an old Copenhagen apartment - the building dates from about 1680 - and I'm in one of the most densely-occupied parts of the old city so it could hardly be more different. At the back, rooms look into a narrow courtyard with the old timber-framed walls of adjoining houses, but at the front, from my desk, I look down on the old harbour so again a good place for day dreaming … sorry … of course I mean a good place to work.

With everything not yet unpacked, there are no plans to move again any time soon but if the next move could be to an apartment block from the 1930s or 1940s then I'll have most bases covered for a book on how to live in a Copenhagen apartment.