Amaryllis Hus

The annual Building Awards in Copenhagen were established in 1902 but it was only last year that citizens were asked to vote for a public award for one of the buildings on the list of finalists.

Last year the building selected for that first public award was Axeltorv / Axel Towers by Lundgaard & Tranberg Arkitekter.

The winner this year is interesting. From a diverse list of unusual and quite adventurous building projects around the city, the public selected an apartment with a high-rise tower out of the city, just under 5 kilometres from city hall, out to the south west beyond Vestre Kirkegård … the western cemetery.

This is Amaryllis Hus on Paradisæblevej - designed by Mangor & Nagel and part of a major redevelopment of Grønttorvet - the old wholesale vegetable market - a short walk from Ny Ellebjerg station.

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brickwork

Someone told me that in the late 19th century, as more and more buildings in Copenhagen were built in brick, with brickwork with ornate patterns or fine moulded or shaped details in brick, bricklayers were sent off to Germany to learn to do it properly.

I’m not sure if that is true or not but certainly by the 1890s and into the early 20th century, better buildings in Copenhagen had very good high-quality brickwork with a lot of ornament.

By the 1920s, with the arrival of first classical and then functional styles for the best architecture, brickwork, generally, became less ornate but still of a high quality and not just for public buildings but also for the better apartment buildings.

Patterns of coursing and the use of different colours of brick together enliven what would otherwise be stark or severe exteriors. This apartment block was built in 1930 and is in Skoleholdervej - the road that runs across the south boundary of the north-west cemetery.

Similar brickwork, with alternate courses set forward and back to create the effect of horizontal ribbing, has been used at Amaryllis Hus - the new apartment building in Valby but in sunk panels beside windows within a regular square grid.

Dorotheavej apartments by BIG

 

 

This new apartment building on Dorotheavej - affordable housing designed by Bjarke Ingels Group - has just been nominated for the Bygningspræmiering - the annual city architectural award.

Out to the north-west of the city centre, just over 4 kilometres from city hall, this is an interesting area just below Bispebjerg and Nordvest cemetery, with a mixture of older apartment buildings and new apartment developments but also older industrial buildings on either side of a main road and, to the west, just beyond this site, low suburban housing.

The main road, Frederiksborgvej runs north - climbing up the long slope up to Bispebjerg - and Dorotheavej is on the west side, itself rising up a slope across the hill, with the new apartment building just in from the main road and on a very wide site with a long frontage to the street that faces south.

The form of the block is a long, gentle and sinuous curve back away from the street towards the centre but hard against the pavement at each end with the area in front planted with grass and trees. There is a high and wide archway through to the back of the building at the point where that curve is furthest back from the street.

The apartments have the typical through form - typical for Copenhagen - so here with a series of seven separate entrances along the façade and each giving access to a staircase with an apartment on each side at each level those apartments are relatively narrow but deep and run through from front to back of the block. 

 

Tingbjerg housing

Tingbjerg housing scheme was designed by the Danish teacher, writer and architect Steen Eiler Rasmussen and the landscape was designed by C Th Sørensen.

Building work started in 1956 and was completed in 1971 and by then there were 3,000 homes here with most in apartments in blocks that are three storeys high - over half basements containing service rooms - although there is also one tower block and a line of single-storey homes along the west edge of the scheme.

Tingbjerg is out to the north west of the city centre, on relatively high land, close to the moor and lakes of Utterslev, and around 7 kilometres from the city hall. It was planned as a small, self-contained town with shops, a school and a church and at one stage 10,000 people lived here although the number is now below 7,000.

There are long rows of apartments that are set in a regular grid of roads with a main peripheral road and one main cross street running east to west although most of the apartment blocks are set north to south so that they make the most of morning and evening light.

Buildings are laid out around generous squares and large open spaces with a good planting of trees that are now mature and there are a number of areas where children can play. There is also access to what is still and certainly what was in the 1950s areas of open countryside and the high elevation, or at least high for Copenhagen, means that there are views back over the city. Even today, the light seems clearer and the air fresher up here than down in the city and, back in the 1950s, that contrast must have been more marked when there was much more air pollution. Families moving here then must have been positive about being able to move out to a new home in a new suburb.

The site slopes and the rows of apartments are staggered - rather than being in long straight unbroken lines - and the topography has been exploited with terraces and short flights of steps at changes of level that again softens and breaks up the impact of building even though so many homes were built in a single phase and in what is, in essence, a single style.

Constructed in light-coloured brick with dark roofs, workmanship is of a high quality and the design of the buildings is simple but not stark so the style is clean and actually quite elegant. A distinct feature is slatted shutters that slide back from the windows on some buildings. Tingbjerg is a good example of classic Danish design at its best. This was recognised in 1959 when the first phase of the scheme received the Bygningspræmiering / Building Award for New Residential Property.

  

note:

Given the high quality of the design and the construction of the scheme, it is ironic that in the recent government report - Ét Danmark uden parallelsamfund / One Denmark without a parallel society - Tingbjerg is now designated as one of 16 ghettoes in Denmark where serious social problems have been identified and there is now funding with recommendations for intervention.

These photographs were taken in January 2019.

Communities Between the Walls

On 15 February a new exhibition opened in the gallery space on the staircase at the Danish Architecture Centre.

Communities Between the Walls is a counterpoint to the recent reports on social housing and ghettoes. Here are a number of major art projects that have been initiated in areas of deprived or poor housing in urban areas including the new library recently completed in the Tingbjerg housing scheme and the major projects in Gellerupparken in Aarhus.

 

continues at the Danish Architecture Centre until 1 June 2019

Ét Danmark uden parallelsamfund / One Denmark without a parallel society

ghetto.jpeg

This was a difficult post to write because it is about sensitive political and social issues but the subject is important and not least because there are broader implications for planning and housing in Denmark that will influence future planning policies and should, as a potential model, have a much wider relevance for many countries where there is rapid population growth in urban areas and where housing is concentrated in housing schemes.

In the New Year the government published a report - Ét Danmark uden parallelsamfund / One Denmark without a parallel society - that sets out a policy to tackle problems in some urban areas in Denmark that will now be defined officially as ghettoes.

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data to plan for housing needs in the future

Danskerne i det byggede miljø / Danes in the built environment is a detailed annual survey that asks Danes about their homes.

Information for the most recent report was gathered in April 2018, when 7,090 people completed a questionnaire from Kantar Gallup A/S for Bolius. The results have been published by Realdania and the most recent edition is now available on line.

These surveys have been conducted every year since 2012 so now they provide an important data base but have also tracked changing attitudes so they should influence decisions by planners and should prompt architects, builders and designers to assess carefully the real problems people encounter because the surveys show how people perceive problems and show how these are prioritised. 

The survey is published with general points and summaries but most of the information is set out in a large number of tables. These provide a fascinating insight not just into day-to-day practical problems people have and about the way they complete maintenance and repairs but also broader issues about neighbourhoods - about what makes a good neighbourhood - and how all these factors together influence how people rate the quality of their lives.

More than 6 out of 10 Danes believe that their home is important when they consider the quality of their life … for 22% of Danes  their home is of very high importance and for a further 41% their home is of high importance when they consider the quality of their lives.

read more

Realdania - full report to read on line or it can be download as a pdf file

 

UN 17 village on Amager by Lendager

January 2019 - the site for the UN17 Village by Lendager Group - the view is looking north along what is called Promenade - the west boundary of Ørestad - Kalvebod Fælled is to the left

Recently, it was announced that housing on the last large plot in Ørestad Syd where building work has not started will be designed by the Lendager Group and Årstiderne Arkitekter and the engineers Arup.

At the south-west corner of Ørestad, it is perhaps the most prominent site, in this major development area in Copenhagen with the open ground of Kalvebod Fælled immediately to the west and to the south an artificial lake and then extensive views out over pastures and meadow.

Given the character of the site, it seems appropriate that this project should go to an architectural practice that is establishing its reputation around its innovative approach to sustainability. In fact, the large development of apartment buildings here is being described as a village and promoted as the first development project in the world that will address all 17 of the UN Sustainable Development Goals.

Concrete wood and glass used in the new construction will be recycled materials but also the housing will be designed to provide an opportunity for the residents to have a sustainable lifestyle.

There will be 400 new homes here in five housing blocks with courtyards and rooftop gardens. Rainwater will be collected with up to 1.5 million litres of water recycled every year.

It is planned to be a mixed development - a very mixed development - with 37 different arrangements of accommodation - called typologies - with family dwellings; co living and homes for the elderly along with communal space; a conference centre to host sustainability events; an organic restaurant and greenhouses with plans for schemes for food sharing.

When completed, there will be homes here for 800 people and 100 jobs.

Initial drawings show that the design will break away from the grim style of many of the recent and nearby apartment developments in Ørestad, replacing flat facades of dark brick with what appears to be a regular and exposed framework of pale concrete piers and beams with balconies and glass set back within that grid and although high at the north end, the blocks will step down in a series of terraces so they will be lower in height towards the lake and the open common.

UN17 Village, Lendager Group

 

drawings from Lendager Group

 

UN17 village overlooking Kalvebod Fælled

This view of Amager shows the area of Ørestad marked with a dotted white line and the plot for housing designed by Lendager at the south-west corner marked in orange and was produced simply to show the site and the context.

From the air - and, of course, on the ground - you can see how the proposed housing will be at a key point between the densely built up housing blocks of Ørestad and the open common of Kalvebod Fælled.

It also shows the extent of Ørestad for readers who have not been to Copenhagen or do not know this part of the city although, actually, the 8 building by Bjarke Ingels just to the east and also looking across the common is now a tourist attraction.

Copenhagen airport is obvious but what might not be so obvious is the odd small tongue in the sea in the centre of the east or right side. That is the end (or start) of the rail and motorway bridge linking Copenhagen and Malmö ... the road and rail links drop down into a tunnel between the shore and the bridge. The road and rail links run east west and straight through the centre of Ørestad which is why Ørestad City with a rail and metro interchange was planned as a major business centre.

At the centre, at the top of Amager, are the distinct lakes and 17th-century defences around Christianshavn and above that part of the historic centre of Copenhagen.

It is the first time I have produced a map of this part of the city for this blog and I realised that I have a slightly misplaced or distorted view of Ørestad. Over the last five years or so I have done the trip out to this part of the city at fairly regular intervals - partly because I like having a coffee in the lakeside restaurant in the 8 Building with a view out over the common - but mainly because I want to watch and to photograph the area as it develops. A standard trip is to get the metro out to the end of the line, have a coffee and then walk back to where I live in Christianshavn exploring and taking photos.

The metro emerges from its tunnel alongside the university area at the north end of Ørestad and then curves round past the distinctive blue cube of the Danish Radio concert hall before running the full length of Ørestad on an elevated concrete track.

The image I have is of a very large or rather a very long and densely built up development but flanked by the much older areas of small plots and gardens and individual houses to the east and open common land to the west and south. That much is true but somehow I had set in my mind that Ørestad was almost a sixth digit on the famous Copenhagen Finger Plan … even if that seems like a slightly perverse understanding of anatomy. But it's not a finger. The Fingers are much much larger, much longer and much more suburban in character, so a string of housing and centres for shopping and commerce and based along the lines of the suburban railway. I'm not sure how Ørestad fits in my mind map of the city now … maybe a name tag hung from the wrist.

Resource Rows, Ørestad Syd by Lendager

June 2018 - rapid progress

 

 

A major housing project in Ørestad by Lendager is moving fast towards completion.

This is housing around an enclosed courtyard on a plot about 250 metres south of the new Royal Arena

It is a wide site from east to west but relatively short north to south and there will be three-storey row houses along both long sides and taller blocks across the shorter east and west ends of the courtyard.

Drawings for the scheme show extensive planting in the courtyard with well-established trees and with climbers or plants on the walls of the courtyard and extensive gardens and green houses across the roof.

drawing by Lendager Group

But it seems, from walking around the site, that there could be a very real problems with shadow across the building and across the courtyard. This is not just a problem with this development but a significant problem across the district.

A masterplan for this part of Ørestad was produced by the Finnish company ARKKI in 1995 and although the specific form of key buildings - like the new Royal Arena and the recently completed school - have changed from the layout shown then, the arrangement of roads and building plots has survived. However, the housing and apartments as built, over the last year or so, appear to be much higher than originally planned with more floor levels - to increase housing density - so the buildings have a much longer and unbroken area of shadow and that is obviously much more of a problem at this time of year when the sun, although often bright and in a clear sky, is low in the sky.

Here, there are tall buildings immediately to the south with just a narrow road between the two developments but the higher blocks at the east and west ends of the Lendager building itself will also throw shadows across the courtyard from the early morning and the evening sun.

To be more positive, the really striking feature of the building will be the facing panels of recycled brickwork. These are not old bricks that have been salvaged and cleaned and re-laid but they have been cut in panels from buildings as they were demolished … in this case buildings on the Carlsberg site in Copenhagen.

Old lime mortars tends to crumble away as a building is demolished and individual bricks can be cleaned and reused but modern mortar is so tough that bricks are damaged or shatter if you try to salvage them individually.

This method of creating facing panels for new buildings has been shown by Lendager at exhibitions at the Danish Architecture Centre.

 

Resource Rows, Lendager Group

January 2019 - a much clearer idea of the final appearance with windows fitted and the strong black skyline but note the deep shadow across the south-facing row houses on a bright winter day early afternoon - general view taken from the south-west

 

WE architecture at Dreyers Arkitektur Galleri

 

"The name WE Architecture is based on the philosophy that architecture is not the result of only one person's stroke of genius" … but  "believe that the best results occur through teamwork and transdisciplinary networks."

 

Jagtvej 69

WE architecture was established in Copenhagen in 2009 by Marc Jay and Julie Schmidt-Nielsen.

Much of their work takes, as a starting point, an exploration of how people and the community respond to and use architecture … what they describe as understanding how physical surroundings "inspire people to create new relationships or to cultivate existing relationships" … exploring the "potential for innovating the framework of communities."

This raises interesting questions because it implies that there can be an enlightened and well-defined relationship of trust between the architect and the end user as well as with the commissioning client. This is not the place to discuss the issue of politics and economics in social architecture, in the broadest sense, in Denmark but possibly a place to raise this important subject.

One project, shown here through a number of models, is a new and ongoing development for Jagtvej 69 in the Nørrebro district of Copenhagen with temporary housing for homeless people and community gardens. This is now an empty plot but was the site of a community centre, Ungdomshuset, which was cleared and demolished in 2007 precipitating street riots … cobbles thrown in the riots are one of 30 objects chosen for an exhibition at the National Museum - Din Ting - to represent key events or movements of the first years of this century. This is precisely what makes Danish architecture so important … designs that responds to the changing needs of society with an awareness of and a sensitivity to broader political issues.

Certainly, looking at the work of the studio over the last ten years it is good to see that so much of their work is in housing, education and culture and all these projects have a strong relationship with their landscape or townscape setting. Models - so massing of elements and overall form - are clearly important as different options for sites are explored through making many models at the initial stages.

The Dreyers gallery has three main levels alongside a steep staircase down from the main exhibition area and WE Architecture have exploited this by stacking up timber boxes to break down the sudden transition from each level to the next. This provides platforms and surfaces for displaying models and photographs of the projects undertaken by the team but they have also incorporated work stations where, for the period of the exhibition, staff will work but are available to discuss their buildings and answer questions.

WE architecture 

the exhibition continues until 2 November
in the Dreyers Arkitektur Galleri at the Danish Architecture Centre

 

ELEMENTAL at Louisiana

 
 

A dramatic exhibition and one of a series at Louisiana under an overall title Arkitekturens Værksteder / Architecture Workshops - ELEMENTAL profiles the work and the approach to architecture of the office in Santiago of Alejandro Aravena.

The process of design is here a main focus of the exhibition that begins with a display of sketch books - a primary stage in their design process. With excellent visuals, on small screens around the edge of the display, you can select a sketch book and explore the contents by swiping through the pages that include both notes and detailed drawings.

In conjunction with this are films running across three large images on a nearby wall that turn through sketchbooks page by page. 

The design process for this exhibition space - from initial ideas through to the construction of the final display - was treated like a specific design project by ELEMENTAL to explain their work process and philosophy. A series of large panels on a lower level of the galleries trace through the whole development of the exhibition from the first letter from Louisiana proposing the exhibition through to the construction in the space. It is rare, as a visitor to an exhibition, to be able to track in such detail the work involved in producing an exhibition on this scale and of this complexity.

There are separate areas with photographs forming a time line for projects and models showing the primary volumes and forms of major buildings. There is a sequence of photographs and drawings of the now famous social housing - half fitted out in the initial construction and half to be completed by the families at a later stage and a sequence of prototypes showing the development of the design of Silla Chair - an open source design. Under a huge suspended box, there is a film of the projects from a drone.

 

ELEMENTAL opened on 11 October 2018 and continues until 28 February 2019
Louisiana Museum of Modern Art

Boliger til Folket / Housing for the people

 

Immediately after the War there was clearly a shortage of housing but also cities realised that poorly-built housing - particularly the dark and tightly-packed housing that had been built in courtyards - had to be demolished and replaced with appropriate homes of a much higher standard

The exhibitions at Arkitektforeningen for the Day of Architecture is an opportunity to see here again the exhibition Boliger til Folket / Housing for the people about social housing in Denmark after the Second World War, so through the1940s and 1950s.

This was shown first in Copenhagen in the central library in March 2017 and was reviewed here

This is a second chance if you missed the exhibition the first time round but it is well worth a second look with profiles of several major housing schemes and includes comments by residents from interviews some remembering what the apartments were like when they were new. 

One aim of the exhibition was to re-establish the merits of these apartment blocks by focusing on the quality of the design and the high quality of the initial building work but it also emphasises the reasons for good and sympathetic restoration work to ensure that these buildings not only survive but that they have an ongoing role as good and desirable housing.

LETH & GORI - The Art of Building

 

One of the series of exhibitions of the Dreyers Arkitektur Galleri to show the work of new or young architects, architectural practices and studios.

For this exhibition the architects have produced a timber-framed structure that steps down three levels of the gallery and creates distinct partly- enclosed spaces where models and photographs of their buildings are displayed.

Dreyers Arkitektur Galleri at DAC

Leth & Gori


the exhibition continues at the Danish Architecture Centre until 5 October 2018

 

restoration I

Work is progressing on a major project to restore the famous Nyboder houses in Copenhagen. These long terraced rows, with cobbled streets and narrow yards between the rows, cover a large block in the north-east part of the historic centre of the city within the old city defences  … so south and west of Kastellet - the fortress or citadel - and close to Østerport railway station that is on the site of the old east gate.

The first of the rows were built in the 1630s and 1640s at the instigation of Christian IV for naval personnel and were single storey but with attic rooms. More rows - the two-storey terraces - were constructed in the middle of the 18th century and the last houses, in grey brick, date from the very end of the 19th century.

The houses from the 17th and 18th centuries were built in pale-yellow brick but given an external wash of lime with deep ochre pigment but this wash has just been removed so the brickwork can be repaired and, where necessary, repointed.

Stripped of this ochre wash, the facades reveal important archaeological evidence to show clearly how window and door openings were constructed. There were no obvious lintels but lines of headers above the windows so, almost certainly, the timber frame of the floor structure would have been set out to take the weight and outward thrust of the roof to prevent the outer walls bowing out or the ground-floor openings failing under the weight of the brickwork and roof above. 

In contrast, more precise coursing in historic brickwork can be seen in a house on Wilders  Plads in Christianshavn with alternate rows of different colours of brick so that brickwork was clearly built to be exposed and left without render. The Nyboder brickwork is not of the same quality so the houses must have been covered and protected with was of lime and pigment from the start.

It is also clear that by using lime wash - rather than a thicker and smooth coat of render - the final surface is not just more resilient - as each thin layer is applied, the lime oxidises and bonds to the stone or brick it covers - but the visible and slightly irregular brickwork gives a texture to the surface that seems to make the colour deeper … modern brickwork, in contrast, seems mechanical and flat or, if anything, dull.

more images and historic map of Nyboder

FRAMA - the apartment

 

 

For 3daysofdesign Niels Strøyer Christophersen of FRAMA opened his apartment on Strandboulevarden in Østerbro.

It's on the ground floor and at the corner of an apartment building that dates from around 1900 and, from the start, it was a shop with a small apartment behind as accommodation for the shopkeeper. This was a common arrangement in the city where many of the apartment buildings - from the late 19th century and then on through the 1920s and 1930s and 1940s - have commercial and shop space on the street level and particularly at the corners of the buildings.

The entrance into the shop from the street - with the doorway set across the angle of the cut-off corner - is typical of the period as are the high ceiling heights. The main FRAMA store in Fredericiagade is another if an up-market version of the same building type …. there a former apothecary shop, at the corner of an apartment building, with ornate ceilings and shelving from the late 19th century surviving.

Beyond the main front room of the shop in the Strandboulevarden building, the apartment was relatively small with the windows of its main rooms looking out to the side street and smaller rooms, including the kitchen, with windows looking into the courtyard and with a door in the corner of the kitchen for access to a 'back' staircase and access to the courtyard itself ... a practical and, again, a common arrangement.

The last occupant of this shop and apartment was a watchmaker although it had been empty for several years before Niels took over the property.

Niels has combined together the space of the shop and the apartment for his home. 

He has stripped back the walls to raw plaster but decorative mouldings of plaster cornices and moulded decoration on the ceilings, where they survived, have been kept. However, architraves and all doors have been removed so that the space flows from one area to the next.

With the high ceilings, the windows are large but, because these look out directly onto the pavements to the street to the front and the street to the side, plain white blinds and plain full-length curtains in linen and in natural silk have been used to give some privacy. This use of plain textiles also means that there is a subtle control of light and a fluid and softer definition to the spaces and again the emphasis is on natural materials and in their natural colours.

Furniture in the apartment is, of course, from the FRAMA collection, and in this setting looks, of course, absolutely right. Again, this furniture is about using natural materials, so steel plate or wood or stone, and again used to empasise natural colours and natural textures. Forms are plain and tend towards looking industrial because they keep to relatively simple shapes and emphasise or respect techniques and methods of fixing that are determined by the way the material are used when they are used honestly so used without pretension and, ostensibly, without reference to historic styles or traditional forms and shapes.

Although plain and without decoration, the furniture and the interiors are obviously far from being unsophisticated and far far from being crudely made or simply designed so this is about a distinct aesthetic that looks at interiors and at furniture in a different way.

FRAMA might appear to be a life-style design studio - particularly now with their apothecary range and with the book they have published with recipes - but it is about a serious and coherent design aesthetic that looks at materials in particular but also at texture and colour and form in a different way. It has to be significant that Niels has not had a traditional design-school training. His is not a unique but is a rare way of seeing the design world … so perhaps the most obvious comparisons should be with the work of John Pawson - particularly his photography and his publications - and with interiors by David Chipperfield or the work of Vincent Van Duysen.

This is an aesthetic that is stripped back but not strictly minimal - plain and in part close to industrial design - particularly early industrial design from the late 19th and early 20th century - but not brutal and although, ironically, about product design it is also about very careful consideration and calm reflection before acquiring anything.

From seeing the apartment, there is a strong sense that anything from anywhere might be considered for inspiration but essentially this is about materials used in a simple almost engineered way that has to respect intrinsic qualities of colour, surface and texture.

 
 

Copenhagen Architecture Festival 2018

 

 

13th April 2018

Copenhagen Architecture Festival opens on the 3rd May and continues through to 16th May 2018. 

Yesterday the full programme was launched on line and this year, for the first time, there will be events in Odense as well as Copenhagen, Aarhus and Aalborg … all cities with a “strong architectural identity.”

The theme for this year is HOUSING HOMES / AT HUSE HJEM with lectures, film screenings, exhibitions, workshops and guided tours to look at ideas of home, housing and belonging … “to look at what constitutes a home, what does it mean to be home, and how homes are created in different and difficult situations.”

The ambition of the festival “has always been to share architecture with a wide audience by being unpretentious, curious, and bringing a new perspective to the table. We want to create new encounters between subjects, people, and ideas in the city’s space. The intention is for architecture to act as a character in the dialogue through the audience’s personal experiences of the spaces. Architecture is thus for everyone- not just for architects.”

 

download the programme from CAFx

brick cladding

 

Out near the beach on the east side of Amager there are large new apartment buildings that are going up and at an incredible speed because of the method of construction being used with large panels of preformed concrete lifted into place by huge cranes before then being fixed or linked together. 

Then, on the outer face, goes insulation and a veneer of brick in large sheets made in a factory …. and that is where I begin to have reservations.

read more

 

Jægersborg Water Tower by Dorte Mandrup

 

In any major city, industries change or the way that utility services are provided have to adapt or are modernised and substantial and striking buildings can become redundant.

In Copenhagen many of these industrial buildings have been converted in an imaginative way to become housing or major gallery spaces for exhibitions or have become venues for concerts or theatre … buildings mentioned here recently include the former locomotive works that are now an exhibition hall - used for Finders Keepers and the installation by Hiroshi Sambuichi in The Cistern - an imaginative conversion of an underground water reservoir in Frederiksberg that is now a dramatic gallery space.

Many of the buildings are not just striking or unusual but are normally exceptionally robust - they were built well and built to last - and some were designed by well-established or well-known architects and engineers so, from that point of view alone, they merit being retained but in reality that means justifying the cost by finding new uses.

It seemed worth starting an occasional series of posts here about some of those buildings.

The water tower at Jægersborg is on a high point above the city - about 12 kilometres to the north of the city centre and close to the rail line and Jægersborg suburban station. Designed by Edvard Thomsen and completed in 1954, it has a large circular water tank supported on a complicated and tight arrangement of concrete columns with 12 outer columns and 6 inner columns forming an inner hexagonal pattern of cross beams. 

The initial scheme included a plan for apartments but it seems the idea was abandoned because of noise pollution.

An extensive remodelling of the tower by Dorte Mandrup Arkitekter was completed in 2006 to provide leisure facilities on the three lower levels and student housing above. Accommodation is in pods with bed-sitting rooms with large, full-height windows angled to make the most of the views and the sunlight.

the architecture of Kløvermarken

 

 

 

architecture, design and planning in Copenhagen ........... 

 

the houses of Dyssen and the area between the water of the 17th-century defences and Kløvermarken on Amager

 

good architecture in Copenhagen is not just about aluminium window frames, sealed glazing units and Scandi-clean design ... here is cladding and the use of materials and a sense of colour at its best