it’s 50 years since the last trams ran through the city

Today is an interesting anniversary because it's now fifty years since the tram service in Copenhagen was shut down with the last trams running through the city on 22 April 1972.

The first trams in the city were horse drawn but electric trams were brought in from the 1890s and the first tram routes were established by private companies but in 1911 the city took over the operation of the tram system.

New trams, tram terminals and street furniture for the tram service were then designed by the city architects department.

At one stage the length of the tram routes through and around the city was just under 100 kilometres in total.

an unbuilt tram station for Rådhuspladsen March 2020
Bien at Trianglen July 2018

horse-drawn trams on Kongens Nytorv in 1913
Copenhagen City Archive reference 51787

a tram on Amager in 1966

 

tram designed for the city in 1910 by Knud V Engelhardt (1882-1931) - Denmark’s first industrial designer

 

a curious design to get across a serious message?

Benches like this have appeared in about half a dozen places around the city.

My first thought was that it seemed like a rather extreme way to stop people stretching out and sleeping on park benches. Then I wondered if it was a particularly thick apprentice in the ironworks who got the measurements wrong but that seemed more than a bit unlikely as these benches have been made here since 1888 so, really, they should know what they are doing by now.

Then I saw an article in the newspaper that sort of explained everything. They are 85 cm too high and that's the height that some scientists have suggested that sea levels will rise by the end of the century if we do not tackle CO2 pollution and sort out climate change.

The pedant in me thought that it's a bit of an obscure way to represent impending disaster and that it only really works if the benches were at the end of Ofelia Plads where the concrete runs down into the sea of the harbour but then anything helps if it makes people stop and think .... even if it is only to think how the hell would I get up there or, come to that, get down without breaking an ankle.

design classic: the Copenhagen bench
the Copenhagen bench
high water in the harbour
Ofelia Plads

 
 

Dansehallerne to move to Kedelhuset / The Boiler House in Carlsbergbyen

A major industrial building - part of the old Carlsberg Brewery in Copenhagen - is to become an international centre for dance.

Kedelhuset - The Boiler House - was designed by Carl Harild (1868-1932) and was completed in 1928 to supply steam and hot water for the brewery. 

Carl Harild had been a pupil of Hack Kampmann and he succeeded Kampmann as architect at both the Ny Carlsberg Glyptotekk and at Carlsberg Brewery on Kampmann's death in 1920.

The Boiler House is a massive and impressive building at the centre of the brewery site. It is faced in red brick with a series of deep arches at the street level, with tall narrow windows at the main level and small square windows above that. Perhaps the most striking feature of the exterior are four large chimneys for the boilers on the south side.

Both Kampmann and Harild were proponents of the architectural style that is known as Nordic Classicism and features of classical architecture are obvious in the Boiler House with the careful use of symmetry and a plain stripped-back style with little decoration but architecture that relied on strong features and the use of classical forms such as lunettes and well-proportioned panelled doors and windows that are regularly divided with simple glazing bars and plain glass.

It is the interior of the building that is most dramatic with bold engineering for what is, after all, is an industrial space. There are huge concrete arches in pairs that support an impressive roof with raised  lantern with glazing for top lighting down the length of the main space.

Boilers and pipework have been stripped out and the space of the main hall is now to be adapted to be a new centre for dance and performing arts for Dansehallerne. The building will include a large performance space with different possible configurations of seating as well as rehearsal areas and meeting rooms to create flexible space that can be used for performances, dance festivals, talks and training.

Dansehallerne is a national and international organisation for dance and choreography that was established in 2012 when Dansens Hus and Dansescenen merged. They were based on the Carlsberg site, at Tap E  - opposite the Boiler House - but moved from there in 2017 when development of the brewery site started and they are currently based on HC Andersens Boulevard.

Mikkelsen Arkitekter AS are the architects for this major project that has financial support from the AP Møller Foundation.

 an introduction to the historic buildings

Mikkelsen Arkitekter AS
Dansehallerne

the site of Carlsberg Brewery

When JC Jacobsen decided to build a new brewery outside the city, one reason would have been a need for more space to expand the business …. his first brewery was in a courtyard in Brolæggerstræde - close to Nytorv in the centre of Copenhagen - in a property that had been purchased by his father in 1826.

However, he must also have been concerned about finding a clean and consistent source of fresh water and for ways to discard the waste from the brewing process - not easy in the densely packed streets of the old city.

By 1847, Jacobsen had found what we would call now a greenfield site nearly 3 kilometres outside the city and built his new brewery there, alongside a new railway so, then, his next problem must surely have been finding men prepared to go that far out of the city to work. The story of Carlsberg is an important example that shows how Danish manufacturers moved production and labour from small urban workshops to new and rapidly expanding and rapidly developing factories outside the city.

read more

JC Jacobsen opened his new brewery in 1847 on an open site outside the city and alongside the new railway from Copenhagen to Roskilde that was finished that same year - detail from a map of 1860

an introduction to the historic buildings of the Carlsberg Brewery ....

The site of the Carlsberg brewery in Copenhagen is not just large - by 2008, when brewing here ended, the brewery covered some 33 hectares - but it is also a complicated industrial site that evolved over a period of 150 years as both the technology of brewing on a large scale - so brewing on a truly industrial scale - developed and as the company expanded.

The basic story might appear to be fairly straightforward: a new brewery was established here in 1847 and brewing continued on the site until 2008 but this is not simply the story of a brewery. For a start, there were three separate breweries here.

read more

JC Jacobsen established a brewery here with the first beer brewed in November 1847
photograph from Copenhagen city archive 65539

Renover Prisen / The Renovation Award 2022

Banegaarden and the Museum of Copenhagen are contenders for the Renover Prisen 2022

This year, 144 renovation projects were nominated for the prestigious Renover Award.

If this was a golf tournament, then the nomination committee has just announced the list of 21 projects that 'made the cut'.

This is the tenth year of the award so, rather than a single award, there will be awards in three separate categories for renovation projects for Bolig or Housing; Erhverv meaning business or possibly commercial projects, and the third award will be for institutional or public buildings.

Also, this year, the sustainability of the project will be judged along with quality of use and contribution to the environment; quality of execution including craftsmanship; the extent to which the completed renovation will be an inspiration or a good example to others and finally - and perhaps the most interesting criteria - the project should mark a successful collaboration across professional disciplines so it should be seen as the successful collaboration of cliens, consultants, architects and contractors.

By the end of June, for the next stage, a list of nine projects will be selected and it is from those nine projects that an electoral college of 70 judges will chose the three projects that will receive an award for 2022.

Renover Prisen 2022

From this list of 21 projects, nine finalists will be selected by the end of June

Bolig / Housing:

  • Det gamle posthus, Brædstrup

  • Fabers Fabrikker, Ryslinge

  • Roskilde Højskole, Roskilde

  • Moldeparken, Vejle

  • Ellebo Garden Room Blok 3, Ballerup

  • Mineralvandsfabrikken, København V

  • Living in Light, Valby

Erhverv / Commercial:

  • NH Collection, København K

  • Retten i Aarhus – ombygning af erhvervsarkivet, Aarhus

  • Fælleskontor i Willemoesgade, Aarhus

  • Banegaarden, København SV

  • Nortvig Firmadomicil, Horsens

  • My Garage, Vejle

  • Siljangade, København S

Institution:

  • Fængslet i Horsens, Horsens

  • Viborg Teater, Viborg

  • Stationen, Frederiksberg

  • Københavns Museum, København V

  • DTU Auditoriebygning, Kgs. Lyngby

  • Børnehuset Paletten, Søborg

  • Friluftsskolen, København S

 

a last chance to see the exhibition Living Better Lives

This weekend is the last chance to see the important and controversial exhibition Living Better Lives about the work of the Danish architectural studio Vandkunsten.

Tegnestuen Vandkunsten - an architecture firm based in Copenhagen - were founded in 1970 and the exhibition has been an opportunity to see and to assess their work over the last 50 years as their buildings have been seen to challenge and set the tone of “climate and social agendas in Danish architecture and urban planning.”

Here, in the exhibition, they suggest alternative and more sustainable, designs for homes with ideas for housing that would have much smaller areas of personal space but more shared or communal areas and would use sustainable or reused materials in construction.

The exhibition ends on the 18th April.

Living Better Lives
Vandkunsten
Danish Architecture Center
Bryghuspladsen 10,
1473 København K

 

Designmuseum Danmark will reopen on Sunday 19 June 2022

After two years of extensive renovation work, Designmuseum Danmark will reopen on Sunday 19 June.

There is a new, underfloor heating system so the distinct stone floors throughout the building have all been relaid. The shop and cafe have been redesigned and changes made to the courtyard with the"greenest museum garden" promised. Stonework and woodwork on the exterior have been conserved or, where necessary, replaced.

A newsletter, received yesterday, included a link to the programme for the summer following the reopening with details and dates for an ambitious programme for eight new exhibitions.

Designmuseum Danmark
the exhibition programme

 

Thea Dam Søby at Muji

Until Sunday 10th April, Thea Dam Søby is showing her textiles and demonstrating sewing and repair techniques at the Danish flagship store of MUJI on the 4th floor of the Illum department store in Østergade in Copenhagen. Given how much she has been inspired by Japanese techniques for working with textiles it has been an appropriate venue.

Many of the works shown - both clothing and high-quality household textiles - have been given a second life by using various techniques of tie dye and resist die and by beautiful repairs that become part of the story of the piece.

Thea has demonstrated some of the sewing and patching methods for classes held in the store and for that work she sells amazing Japanese needles - the best in the world - and kits with sewing needles and thread.

We talked about this for some time. My mother and both my grandmothers sewed and knitted. They made curtains - not out of necessity but to get exactly what they wanted - and both grandmothers repaired and darned. All three - my mother and both grandmothers - had drawers or boxes or large bags full of thread and offcuts of material and buttons and patches. Anything and everything was kept in case it could be useful because that was what most women of their age did.

Now, Thea cannot assume that women who come to her classes have needles at home or even a grasp of basic skills.

On Thea's Instagram site there are photographs of a re-dyed white-denim jacket she produced for a fashion journalist ... and I then realised that I had completely forgotten that there was a period when people wore white or faded denim .... jacket, trousers and shirts ... the whole works.

I'm not convinced that I could get away with wearing one of Thea's kimono-style jackets but the household textiles are amazing. The strong colours - mostly deep blue but also some mauve - are striking and where they are applied to antique linens the textures and the patterns of the weaving are incredible and they have a feel and a quality that is rarely matched by modern textiles.


Theas Handmade Textiles
Thea Dam Søby on Instagram

 
 

throw-away fashion is a threat to our environment

I talked to Thea Dam Søby - first at FindersKeepers and then again at MUJI in Illums - about the household textiles and the clothes that she makes.

These are items that people not only want to buy but, and perhaps more important, then want to keep. And, with her classes on repairing and patching clothes and textiles, she really is showing a way to tackle the growing problem with our gross consumption of unsustainable clothing. It is important that more people understand that good clothes and good household textiles can have an important extended or second life.

There are well-documented and now more widely-discussed problems with fast fashion and it is obvious that there are serious ethical and environmental issues that have to be tackled .... for a start, UN reports show that the fashion industries produce between 8% and 10% of global CO2 emissions.

People have to accept that now we should buy fewer clothes and what we do buy should not just be made from sustainable fabrics but should be made from materials that will wear well and the clothes should be well made - so made to last - and we have to relearn the skills needed to repair or adapt our clothes.

The impression given in the press is that the main culprits here are young girls driven by influencers to buy masses of clothes that are thrown away after being worn just a few times but actually the problem is much much wider than that.

  • On average, Danes buy 11 kilos of clothes a year so, for the country, that adds up to a total of  2.1 million tonnes of CO2

  • Danes purchase 35% more clothes than the world average - the highest rate in the Nordic countries

  • 80% of the clothes thrown away in Denmark have only been used for 30% of their possible life or less

  • Danes now buy 60% more clothes than they did just 15 years ago and they wear the clothes for half as long

It's interesting that Danes seem to appreciate quality and value for money when they buy clothes but are not yet prepared to pay more for clothes that are sustainable ... so clothes that are made from sustainable fabrics that wear well and clothes that can be repaired.

The other major problem is disposing of all those fast-fashion clothes when people in the west have finished with them. There is a limit to what charity shops can sell on and many man-made fabrics are not worth recycling so that means either incineration or exporting the problem.

If you doubt that it is a problem then look at the short BBC film about clothes that end up dumped in the Atacama desert in Chile.


I have to admit that it is easier for men when it comes to buying clothes.

There are peacocks around who are fashion junkies and some men, who work in fashion or entertainment, take their work style out onto the street but, to be honest, for most men, there is little real pressure to wear the very latest. If there is peer pressure at all, it will be to buy a certain style of trainer or a certain brand logo but men's fashion has barely changed for 150 years. Collars on shirts or jackets might be slightly longer or trousers wider or narrower but that is about it. Fashion labels for men have seasons and market hard their latest designs but most of us could wear last seasons jacket or the trousers from the season before without anyone noticing or caring.

In case you think that I'm exaggerating, I've just put together a few images to make my point.

Count Robert de Montesquiou (1855-1921) by Henri Lucien Doucet (1856-1895) painted in 1879
from August Sander (1876-1964) - Face of Our Time 1929
Unemployed Man 1920
and Man in Hat 1927 Anton Raderscheidt
James Dean 1955

This is what is called a reefer coat … hardly changed for over 150 years
leave out the hats and the winged collars and none of these men would be given even a second glance on Strøget …. the Walking Street
I have the short version of this - the pea coat - with the same collar and double-breasted arrangement of buttons …. just, as I said, shorter

When I was talking to Thea about repairing or repurposing or up cycling clothes, I realised that, by coincidence, the shirt I was wearing was one I bought in New York in 1997. When I got home I checked and found that it cost me 48 dollars .... so relatively expensive back then ... but it's a really good quality cotton and is very well made. It has been worn at least two or three times every month since then and, only now, is there the first sign of wear on the collar. It's plain cream and has a button down collar and OK the collar is maybe just slightly more pointed than shirts in the shops right now but I defy anyone to spot, without having been told, that it's 25 years old. If you don't factor in the flight - I was going to see family - then I've got good value out of that shirt. At a rough guess it's been worn and washed 800 times.

 

again, ignore the hats but these jackets, trousers and shoes could be found in any department store now

probably about 1890
the man in Nordic Summer Evening painted by Richard Bergh (1858-1919) in 1899
the poet and playwright Vladimir Mayakovsky 1924
Charles Lindberg - with Spirit of St Louis - 1927
Paul Newman and Joanne Woodward filming Paris Blues in 1961
Warren Beatty - photographed for Vogue - 1966

Don’t get me wrong …. I actually enjoy buying clothes but I also hate throwing anything away.

Back when I was in my mid teens, I decided on an appropriate and relatively easy and comfortable style that seems right for me and, basically, I’ve stuck with it .... so, for most days, plain cotton button-down shirts, crew neck jumpers, chinos and short suede or leather boots - often called chukka boots - with a pair of brogues for more formal times. It’s sort of toned down preppy. Ralph Lauren Purple but avoiding the loud checks. I've got a couple of plain suits and some very nice ties but since moving to Copenhagen I've worn a suit once and a tie maybe five times and every time felt over dressed.

OK - I’m boring but generally neat and clean - even if I end up looking like 95% of all other European or American men. But then surely that's the point for men - to fit in - and that has served me well enough.

Nordic Summer Evening painted by Richard Bergh (1858-1919) in 1899
the point of including this was to show that , if you ignore the high collar on the shirt and the gold watch chain, he would look unremarkable on the Walking Street now - 120 years later. Even his hair cut and the shaping and trimming of his beard would be fine today
on the other hand, although her dress is relatively simple, she would get more than a few stares in the supermarket

 

dezeen talk on the Danish designer Nanna Ditzel

The online design magazine dezeen have posted the latest in their series of talks with designers and design companies.

Marcus Fairs, editor-in-chief of dezeen, talks with Thomas Graversen, owner of the Danish design company Fredericia, and Anders Byriel, CEO of the Danish textile brand Kvadrat, about the work of the Danish designer Nanna Ditzel.

Both knew Nanna Ditzel, and their companies worked with her, so the talk reveals much about her work and her approach to design and the talk helps to establish more firmly her position in Danish design in the second half of the 20th century.

The dezeen talk about the work of Nanna Ditzel was produced in collaboration with Fredericia.

Høj barnestol / child’s high chair by Nanna Ditzel September 2020
Trinidadstol / Trinidad Chair by Nanna Ditzel August 2018

dezeen / dezeen talks
Fredericia
Kvadrat

 

update: a reprieve for Palads Teatret

Today, several newspapers and a couple of online architecture sites published the news that Palads - the cinema in Copenhagen close to Vesterport suburban railway station - has been given a reprieve and will not be demolished.

That means that two earlier schemes - one from Danish railways to build across the top of the railway trench and across the road and the Palads site and the second by the Bjarke Ingels Group BIG for a high tower on the Palads site - have been abandoned.

Nordisk Film Biografer, who own Palads Teatret, have just announced that COBE, the Copenhagen planning and architecture studio, have been appointed to draw up new plans for an extensive updating and refurbishment of the building.

is the redevelopment of Vesterport still on track?
another scheme for the cinema site

 

should restaurants be allowed to move out onto the public space of streets and squares?

During the pandemic, people could not sit inside a restaurant to eat or laws were strictly enforced that limited the number of people inside and set the distances there had to be between the tables and where and when staff and customers had to wear face masks.

One solution, that helped many restarants to at least keep some business running and some staff employed, was to move tables outside but many have been left in place, spilling over pavements and across squares.

Will this appropriation of public space become permanent?

this is Læderstræde, a busy pedestrian street, close to Højbro Plads, that is around 8 metres wide. A few small tables and chairs kept hard against the front of the restaurant is one thing but these boxes of dense shrubs and the red crowd-control ropes are a bit aggressive and lorries and cars making deliveries still have to get through

 

this is Magasin Torv close to Kongens Nytorv with Strøget - the walking street - across the far end and the busy traffic of Bremerholm forming one long side.
at one time the buildings were part of the Magasin department store so hence the name of the square.
the buildings were recently restored
in recent years, the main occupant was a large and popular florist in the taller white building and they spread over the square with cut flowers and house plants so it was a vibrant, popular and thriving public space
the tenant now is a large restaurant across the whole ground floor of all three buildings and they have colonised the space and fenced it off with large iron planters
if you try to walk across the front of the buildings then you get caught up with customers waiting for tables and with waiters cutting backwards and forwards you certainly feel as if you are intruding so most pedestrians keep to the narrow pavement against the bikes and traffic along the road
is this an aggressive colonisation of what is an important if small area of communal space?

World Happiness Report 2022

The first World Happiness Report was published in 2012 so the report this year marks a tenth anniversary.

Data for the report is gathered by Gallup World Poll and then drawn together by independent editorial panels.

The report is now based at the Center for Sustainable Development (CSD) at Columbia University.

It’s possible that the title is taken by some to suggest that the conclusions are looking at general truths that are somehow more trivial than axioms that measure any ranking of countries by wealth or power or other economic criteria but that would be a world where big is better and a world where politicians and governments make value judgements about success, as they see it, rather than looking critically at the consequences of their policies as they have an impact - for good or ill - on the everyday lives of the people of each country.

The relevance and the influence of these reports, means that happiness is now seen as a new economic paradigm.

There are six main factors considered in drawing up the tables …… the GDP per capita of each country; the levels of possible social support; the expectation people have to live a healthy life; a judgement of their freedom to make life choices; the level of generosity and, finally, people’s perception of levels of corruption in both the government and in business.

Positive effects were judged by individuals as ‘measures of laughter, enjoyment and doing or learning something interesting’ and a negative affect was determined by a measure of 'worry, sadness, and anger.'

Chapter headings for the report this year indicate new priorities that have been dictated by a global pandemic that has lasted for longer and has had a much greater impact than politicians anticipated.

The headings for the sections of the report are ……

  • Overview

  • Happiness, Benevolence, and Trust During Covid-19 and Beyond

  • Trends in Conceptions of Progress and Well-being

  • Using Social Media Data to Capture Emotions Before and During Covid-19

  • Exploring the Biological Basis for Happiness

  • Insights from the First Global Survey of Balance and Harmony

League tables can be invidious but assessing which countries have improved and which have dropped down through the table and the reasons for that are clearly significant.

If you look at the table, Finland is yet again at the top as the happiest nation but, also significant, the Nordic nations occupy five of the top eight places.

These are relatively small countries that are, in broad terms, wealthy but with relatively small and certainly less-obvious gaps between the wealthiest citizens and the poorest. They are countries with a high level of trust in their governments and they are countries that, through deliberate political decisions, invest in high-quality education at all levels and in the best possible health care.

Above all, I feel, they are countries that have a quiet self confidence.

Two years after I moved to Denmark, the Brexit referendum came along, and, inevitably, I got into conversations with Danes who were intrigued and generally surprised about what was happening in the UK. One director of a design company, pointed out that “Denmark learned, long ago, how to be a small country.” Clearly, he did not mean that Denmark has learnt how to be subservient but that, like the citizens of other Nordic countries, Danes know that they just has to get on with everything, good or bad, because, for the big nations, what Denmark does or does not do is not a priority. What he was implying, of course, was that to make Brexit a success then England still has to learn how to be a small country.

Before moving here, to write about design, I visited four capitals, starting with Helsinki, because I wanted to meet designers and see the latest architecture so I was clear in my own mind what defined the separate characteristics of design in each country. I had last been to Finland in the 1970s when I thought that it was the gloomiest and the most inward looking of the Nordic countries so the transition I saw was amazing. Everyone that I spoke to was incredibly open about their work and clearly pleased that I was there to look for myself to see what they are doing but there was a clear sense that they were not that worried if foreigners approved or not. That was not indifference but a very firm but a quiet sense of self confidence.

So, maybe, that is another definition of happiness in a country …. that a majority of people feel both content and confident in themselves and in their future.

download the World Happiness Report 2022

 

with 146 countries assessed,
the top ten countries in 2022 were:

  1. Finland

  2. Denmark

  3. Iceland

  4. Switzerland

  5. Netherland

  6. Luxembourg

  7. Sweden

  8. Norway

  9. Israel

  10. New Zealand

note:
the gaps between these countries at the top of the table are small when compared with the much larger gaps between the countries who were ranked at the bottom of the table

‘TAKE THE JUMP AND LET'S DO THIS TOGETHER’

Yesterday, there was an interesting article in The Guardian about a new movement that has just been launched in Britain to encourage people to make key changes in the way that they live to help combat climate change.

"From using smartphones for longer to ending car ownership, research shows 'less stuff and more joy' is the way forward."

TAKE THE JUMP suggests six changes we can all make to the way we live - or what they call six ‘shifts’ - to protect our earth.

These are to:

  •  keep products, particularly electrical goods, for seven years or more

  • get rid of personal motor vehicles

  • eat a mostly plant-based diet and reduce food waste

  • buy only three new items of clothing each year and buy second hand and to repair rather than discard clothes

  • fly only once every three years or once every eight years if it's a long haul flight

  • move to green investments and pensions to force institutions to change "the system"

There is also the recommendation that families should move to green energy and insulate homes to help energy efficiency. Curiously, this is not one of the six shifts although, surely, this is crucial in every country in Europe if we are to meet a target to reduce energy consumption by two thirds by 2030.

The article highlights obvious problems with our current attitudes to consumption or, rather, our addiction to over consumption, in a society that replaces rather than repairs.

For an iPhone, 13% of emissions are from when it is used and 86% from production, transport and end of life processing.

Clothing and textile industries together produce more greenhouse gas than international aviation.

Transport is responsible for 25% of all greenhouse gas emissions and two-thirds of that is from the engines of road vehicles but the article also makes the important point that:

“…. although there is a lot of emphasis on the role of electric vehicles (EVs) in tackling climate change, a bigger effort needs to go towards reducing the number of cars on the road overall as a significant source of emissions is in the manufacture of vehicles – even EVs.”

The Jump campaign was co-founded by Tom Bailey and it's conclusions are based on extensive research from Leeds University, research by the C40 group of world cities and research undertaken by ARUP under Ben Smith, their director of climate change.

But, curiously, TAKE THE JUMP only goes as far as to suggest that people, for now, try these changes for a month or possibly for three months or 6 months although it concludes that everyone has to make these changes in the next ten years.

Big changes can start with small steps. 

Six promises you can make to help carbon emissions
by Matthew Taylor, The Guardian, 7 March 2022

TAKE THE JUMP

 
 
 

“Changing our behaviours around food is the most impactful of all the shifts. And it’s not just about climate change; if you look at biodiversity loss, land use change, fertilisers in the ocean creating dead zones and the massive extinction and loss of insects due to pesticides, these problems are all driven by food.”

Tom Bailey

 

FindersKeepers at Øksnehallen - March 2022

This weekend saw the return of FindersKeepers to Copenhagen after a break of two years because of the pandemic.

FindersKeepers organise large design markets in Copenhagen and Aarhus to show the work of young artists, designers and makers and small new independent companies who present a wide range of ceramics and glass, jewellery, textiles and fashion with interesting indoor plants, household objects and some furniture.

This weekend, set out in the large and well-lit space of Øksnehallen in the old meat market, there were 200 designers and "creative entrepreneurs."

With such a wide range of work on show, it is difficult to make broad assessments or suggest more than a general overview although it was obvious that there was more pattern, more complex shapes - rather than designs being stripped down and simple - and there were darker colours and echoes of the 60s with more denim than I have seen for a couple of decades and even rag rugs and tie dye so, maybe, the hipsters are being edged out by new hippies!

This time, there was also a large area of second-hand and high-quality vintage clothing that indicates a significant and growing movement away from big-brand names and a clear move towards buying accountable and sustainable clothing.

FindersKeepers

 

silicone bibs for kids from Danskk
Le Lune Ceramics
tables from Bønnebordet

rag rugs from Nyt Liv
hand-turned lamps from Retrogade
Uma Studio

Isabel Anne Ceramics
illuminated sculpture from flacoDesign
Petit Cadeau

 

The FindersKeepers market provides an opportunity to look at the work of a wide range of makers and designers. Here, I have focused on four very different designers or companies to illustrate the diversity of the works shown under that broad umbrella of Danish design but also show the huge amounts of talent, inspiration and dedication and focus that can be found across the board.

 

Flickering Light

Sofie Østergaard Neble has taken the opportunity of maternity leave to develop a simple but very effective idea for mobiles that capture and reflect light through strips of film in a carefully-chosen range of colours. They were shown against fine linen and would be amazing suspended in a window reveal. Designers work with colour and texture but rarely seem to explore shadows and the potential of reflection in this way.

This is a brilliant (pun intended) example of the way young designers realise ideas and push forward to production. Sofie told me that she had received extremely positive feedback and so she is now trying to move her ideas forward.

 Sofieneble@hotmail.com

 

Simone's Sprælledukker

I thought that these “jumping jacks” are brilliant.

They are laser cut from birch plywood and many are specific commissions to commemorate events or relationships.

The style is a comfortable merging of gentle cartoon impressions of individuals but with a strong element of the simple outlines and strong colours of illustrations from books for children.

One of the figures is from the book Sticky Monsters and is a collaboration with the author John Kenn Mortensen.

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THEAS handmade textiles

Thea Dam Søby is a textile designer and a teacher who uses a range of techniques including tie dye and resist.

There is a distinct Japanese quality to her choice of colours and to the techniques she uses that are inspired by Japanese shibori or tie dyeing and the practice of careful and appropriate repair and patching of cherished textiles with stitching and embroidery called Sashiko.

She finds and repairs and then dyes antique linens that have an amazing quality.

Thea organises demonstrations and sessions of teaching and from the 28 March through to the 10 April she will be be showing her work at MUJI in Illum’s department store in the centre of Copenhagen.

Theas handmade textiles


Pure Dansk

Astrid and Malene Søgaard come from a farming family in Jutland and they have set up Pure Dansk to promote and to market Danish dried peas, beans and lentils.

These are traditional Danish foods that have rather gone out of fashion so the company, as part of their marketing, has produced good and up-dated recipes to inspire cooks.

These recipes are printed as cards that can be found at events like this but they are all also available on the Pure Dansk web site.

Graphics for the web site and through the full range for packaging are good and shows how important it is, at all levels, to get the details right.

The current range includes:

Ingrid Ærter / Ingrid Peas
Anicia Linser / Anicia Lentils
Hestebønner / Broad Beans or Horse Beans

Pure Dansk

 

the beans and peas at Irma … my local food store

note - FindersKeepers back at Øksnehallen - 5. and 6. March 2022

 

FindersKeepers are back in Copenhagen after a two-year break.

Their design market will be at Øksnehallen in the Meat Packing District on Saturday and Sunday the 5th and 6th of March opening at 11am on Saturday and 10-45 on Sunday and closing at 5pm on both days. Tickets can be purchased on line.

FindersKeepers
Øksnehallen
Halmtorvet 11
1700 København V

 

new apartment buildings on Papirøen at the centre of the inner harbour

On Papirøen - Paper Island - the new apartment buildings designed by COBE are now rising rapidly and beginning to dominate the inner harbour.

The square island is in a prominent position opposite the entrance into Nyhavn from the inner harbour and opposite Skuespilhuset - the national theatre - and  just north of the inner harbour bridge and just south of the opera house and the new opera park that was also designed by COBE.

The recent growth spurt of the construction work on the apartments is easy to understand. Massive excavations, for foundations and piling to support the new buildings, seemed to take a very long time but now, having reached the level of the quay, it has simply been a matter of bringing in all the slabs of concrete and the ready-formed balconies and the facing panels of fawn brick and lifting them into place.

It's the ubiquitous method for building now ....
drop off and slot in building.

But now most of the blocks are close to their final height, you get a sense of just how much this massive development will dominate this part of the harbour.

The distinct tapered silhouette with, what are in effect, abnormally extended roof slopes, cannot disguise the fact that the main block, set above a very high main floor, rises to the equivalent of 12 floors and on the east side, the side away from the harbour, the new buildings now swamp the 18th-century naval buildings of the Arsenal and the mast sheds beyond.

It is now even more difficult to appreciate the overall scale and the importance of the naval buildings that, over a distance of more than 700 metres, would have formed such an impressive backdrop to the vast area of open water where, through the 18th century, the great Danish naval fleet was anchored.

What is now called Papirøen actually had a second mast crane on the west side, towards the city, but otherwise seems to have been relatively open and was where naval officers arrived as they came by boat to join their ships ... coming over from the administrative buildings of the navy and the main ship yards that were then north of the royal castle in the area of the city between Holmens Kirke and Nyhavn.

the 18th-century warehouse of Nordatlens Brygge from the south west with the development of Kroyers Plads, also by COBE, to the right and the site of the Papirøen development to the north of the warehouse to the left of this view

COBE, on their web site, imply that the main inspiration for the new buildings came from looking at the old warehouses along the harbour although the new blocks have none of the dignified and restrained grandeur of, for instance, Nordatlantens Brygge just to the south of the Papirøen site and the very deep balconies framed by concrete uprights and the slightly odd shifting across of the position of windows and balconies on alternate floors across the south side - to create a slightly restless chequerboard effect - are closer in visual effect to the large development on Dronningens Tværgade from around 1950 that were designed  by Kay Fisker. Certainly not a bad model but possibly not a good one as Fisker was clearly and openly proud of his tall blocks whereas the Papirøen blocks are trying to disguise their height and, to some extent, must be trying to mitigate the shadows these very large buildings will throw across surrounding properties and across the courtyard at the centre of the development. 

the new apartments looking across the harbour from Skuespilhuset - from the board walk of the national theatre - two views from the Holmen side of the harbour - from the north east and from the south east - and the development from the south west - from the inner harbour bridge with the opera house beyond

the west side of the devlopment with the opera house beyond and (below) the apartments at Dronningens Tværgade by Kaj Fisker

the south side of the new apartments (above) and the north side of the square at Dronningens Tværgade by Kaj Fisker (below)

Newspaper printing works in the city stored their paper in the post-war concrete warehouses here - hence the popular name of the island- but after the warehouses closed, the buildings were used for car parks, for temporary gallery spaces - Copenhagen Contemporary, now out at Refshaleøen, started life here - and &Tradition had their first store out here and the COBE studio themselves had studio space in the warehouses.

But the main use for the concrete buildings on the side towards the harbour was for an incredibly popular food hall that thrived despite being in a slightly awkward place ... it was quite a long walk to get here before Inderhavnsbroen - the inner harbour bridge - was finished.

The food halls are set to return to the island - to the spaces on the ground floor - but these apartments will be some of the most expensive in the city so it will be interesting to see if they can coexist happily as neighbours.

It's probably unfair to criticise the building while so much is unfinished and a wide board walk around the buildings and a new swimming pool complex at the north-west corner will contribute much to this part of the city ... but visually I'm not sure the reality will match the romanticised and possibly over optimistic CAD drawings for the scheme. I’m always suspicious about proposals for buildings that are shown to look amazing in the dusk or in the dark.

Cobe on Paper Island

Papirøen - Paper Island from the inner harbour bridge in August 2017 (left)

the paper warehouses on the island were not attractive and certainly not in such a prominent position but, with the opening of the gallery space occupied by Copenhagen Contemporary and with the incredibly popular food hall that opened here, there was a vitality that will be hard to replicate once the expensive apartments are occupied

 
 

three new stops for the harbour ferry

Until the end of last month, Havnebuser - the harbour buses or harbour ferries in Copenhagen - have run from Refshaleøen, at the north end of the harbour, to Teglholmen in the south harbour with eight ferry stops. *

Now, there are two new stops in the south harbour and in April the service will be extended north with the ferries sailing on from Refshaleøen to Nordhavn and a new ferry stop at Orientkaj.

Islands Brygge, on the Amager or east side of the harbour, about 600 metres south of the bridge at Fisketorvet, and Enghave Brygge on the west or city side of the harbour, came into operation on 27 February.

These will serve new areas of housing, on both sides of the harbour, close to HC Ørestedværket - the power station, constructed in the 1930s, that is now an important and iconic historic building in the south harbour.

These new stops are almost opposite each other, so they also provide an important cross-harbour link for pedestrians and cyclists. The Enghave Brygge ferry stop will be less than 200 metres from a new metro station that will open in 2024 and Islands Brygge Syd is just 300 metres from the edge of Amager Fælled so there will be an important link from the city side to the large and popular open area of park.

In April, when the harbour ferry service is extended on from Refshaleøen to Nordhavn and a new ferry terminal at Orientkaj, the journey time from Nyhavn to Orientkaj will take 39 minutes.

Movia, the operating company, have added two new electric-powered ferries to their current fleet of five. The electric ferries came into service in 2019 and each can carry 80 passengers and with space on the front deck for eight bikes and four wheelchairs or prams.

These ferries provide an important and successful service for commuters but there is a growing problem with overcrowding because they are now also a popular water bus for tourists.

For safety, the number of passengers on each ferry is strictly controlled - at busy times people are counted on and counted off - so it is frustrating if you wait for a ferry but do not manage to get on because not enough passengers have disembarked. The ferries now run every 30 minutes so more ferries at peak times might help but differential pricing with preferential rates for commuters has to be considered.

the metro, the bus and the ferry January 2019
new ferries for the harbour May 2020

press release on the new stops from movia

the ferry stop at Nyhavn and the new apartments on Papirøen

 
 

* a ferry stop at Holmen Nord - north of Operaen and just south of Nyholm - was closed when it was found that the new electric ferries could not manoeuvre safely around the large number of hire boats in the tight space at the bridge where Danneskjold Samsøes Allé crosses over the channel between Tømmergraven - the inner area of water - and Flådens Leje and the main harbour

Designmuseum Danmark set to reopen in June

Recent newsletters from Designmuseum Danmark have said that they will reopen in June.

With the onset of the pandemic, as all public buildings were closed, the decision was made to bring forward necessary repairs to the museum building to do in one single campaign what would, otherwise, have been done in stages with different parts of the building shutting for months or years before the workmen and the disruption moved on to another part.

As the pandemic stretched on and on, biting the bullet - going for complete closure and all the building work and repairs and the disruption all done with in one go - has proved to be absolutely the right decision.

Since the closure, display cabinets - added to the forecourt by Cobe in 2018 - have been used to show how the work on repairing stonework or relaying the marble floors of the galleries and so on has progressed.

The front of the museum is now swamped by more scaffolding so it looks as if there is still some major work that has to be finished before the front door is thrown open.

Designmuseum Danmark