a walk from Nørreport to the harbour

If visitors, new to the city, know any one street name then it’s likely to be Strøget - the Walking Street - even though Strøget is not one street but a series of old streets and squares between the square in front of the city hall and the large square of Kongens Nytorv …. a route from the site of the old west gate of the medieval city to the site of the old east gate.

So it’s an easy and popular route across the width of the old city and, because it was pedestrianised in 1962, it is a good way to get a feel for the city and it’s streets and squares.

However ….. if you are new to Copenhagen and want to get a less crowded so quieter feeling for the size of the city and of its topography and its architecture, then perhaps a better route for a first walk would be to start from the metro or suburban railway station at Nørreport - the site of the old north gate - and walk down to the harbour.

The first part of Nørregade does not look promising. It’s fairly narrow with ordinary houses and shops from the late 18th and 19th centuries. There are interesting buildings like the Folk Theatre, on this first part, pavements but street furniture does not appear to be as carefully kept as on some of the other and more popular streets. 

The first major building is the fine brick church of Sankt Petri, on the west or right side of the road. Set back in a quiet churchyard, it dates from the 16th century, but is on the site of an earlier church.

Opposite are the old buildings of the university and then the cathedral - Vor Frue Kirke.

Then, on to Gammeltorv - considered to be the oldest market square in the city - with an ornate fountain and then - crossing the line of Strøget - you drop down past the site of the medieval city hall - destroyed by a catastrophic fire in this part of the city in 1795. The outline of that old city hall is marked in the paving. 

Below is Nytorv - a relatively new square created in 1610 by clearing houses below the city hall - and the new city hall, built after the fire, was designed by C F Hansen and with it the city prison was completed in 1811 …. some of the most dramatic classical architecture in the city. 

From Nytorv it’s on down to the canal with views along the wharf of Nybrogade and Gammel Strand - approximately the line of the foreshore of the medieval settlement. 

Stormbroen is the bridge that crosses the canal from Slotsholmen. The name - The Storm Bridge - is because this was the area, at the south corner of the city, that was attacked by the Swedish army in 1659 when they nearly took Copenhagen.

From the bridge, there are the first views of the most important civic architecture on Slotsholmen - with Christiansborg - the site first of the castle of Absalon, the Bishop of Roskilde, which became a royal castle and is now the parliament building. 

To the right is a large 18th-century palace built for a Crown Prince and now the national museum and then down the canal with fine palaces and apartment buildings to the harbour and to the new Danish Architecture Centre on one side and the old brewhouse in red brick on the other - built for Christian IV in the 17th century so his navy could have a generous and certain supply of beer.

① Vor Frue Kirke, by CF Hansen, 1811-1829 - from the south
② Sankt Petri
③ Sankt Petri
④ Telefonhuset and Sankt Petri - from the north
⑤ gateway to the churchyard of Sankt Petri and Telefonhuset
⑥ Krystalgade - from Nørregade with the Round Tower
⑦ Vor Frue Kirke - the cathedral - from the north
⑧ Bispetorvet and the monument to the Danish Reformation
⑨ from north of cathedral with Gammeltorv and Nytorv beyond
⑩ looking down Gammeltorv from the north end
⑪ the Caritas Fountain on Gammeltorv installed in 1608
⑫ from Gammeltorv - looking north to the cathedral
⑬ the city hall on Nytorv, by CF Hansen, 1805-1811
⑭ the archway between the city hall and the prison by CF Hansen
⑮ Magstræde from Rådhusstræde
⑯ the canal with the houses of Nybrogade and Gammel Strand

note:
from Nørreport to the harbour is a walk of 1.35 Kilometres

Rådhuset-1479-1728-RES-1.jpg

the north front of the old city hall that was destroyed in the fire of 1795

 

this is an experiment ….
if anyone wants to follow the walk, then this image can be opened, saved as a jpg file and printed on A4 paper without margins

 
 

① the city hall by CF Hansen, on Nytorv (now court house)
② along canal to Gammel Strand and Thorvaldsens Museum
③ the houses of Nybrogade
④ Marmorbroen / Marble Bridge, by Nicolai Eigtved, 1733-1745

⑤ Christiansborg from Marmorbroen / the Marble Bridge
⑥ apartment building by H C Stilling 1850
⑦ Frederiksholms Kanal, looking south towards BLOX
⑧ Bryghus / Brewhouse built for Christian IV in 1608

 

Snedkernes Efterårsudstilling / Cabinetmakers' Autumn Exhibition 2018

 

This week will be the last chance to see the exhibition of the furniture by cabinetmakers shown in the amazing interiors of Thorvaldsens Museum in Copenhagen

the exhibition continues until 9 December 2018

Thorvaldsens Museum,
Bertel Thorvaldsens Plads 2, 1213 Copenhagen

MONO - Snedkernes Efterårsudstilling / the Cabinetmakers’ Autumn Exhibition 2018

Piqué
designed by:
Hannes Stephensen
produced by: Snedkersind v/Kristian Frandsen

Sunrise
designed by:
Lise og Hans Isbrand
produced by: MoreWood Møbelsnedkeri ApS

 
 

The Cabinetmakers Autumn Exhibition for 2018 has just opened at Thorvaldsens Museum in Copenhagen.

SE - Snedkernes Efterårsudstilling - The Cabinetmakers’ Autumn Exhibition - is an association of 81 designers and manufacturers. Each year their board select a venue for their exhibition and set a theme along with any specific rules for a particular year - often to do with dimensions but this year also stipulating colour - so each work will be restricted to just one colour with the choice limited to either the natural colour of the material itself or to one of the strong and distinctive colours used in the original decorative schemes of rooms in Thorvaldsens Museum.

Each year, guest designers and guest manufacturers can apply to show their work. 

When setting the theme for this year, MONO was suggested to imply a range of associated ideas through monochrome, monolith, monopoly and monologue.

A subheading for the exhibition - furniture shaped by craftsmanship and insight - is important and significant: these pieces highlight the skills and the experience of the cabinetmakers who, in some pieces, take their chosen materials to new extremes and, in all the works, push their workshop techniques to the highest level of quality. So the exhibition is in part about the style and the form of each work but because, the cabinetmakers also represent a long and well-established craft tradition in Denmark, these pieces are about understanding the materials, to know what can be done and how, and to use incredible skills to shape, finish, join, refine or reduce the parts that make each work.

There are forty one works in the exhibition. Most were produced in a partnership between a designer and a cabinetmaker or furniture manufacturer - in many cases a  partnership that is now well-established over many years and over several projects shown at the Autumn Exhibition although several pieces were both designed and made by the same person.

The exhibition is also an opportunity to experiment or to produce designs that might otherwise not be commissioned … the aim is not only to challenge the skill of the maker but also to challenge the preconceptions of the visitor.

 

the Autumn Exhibition continues at Thorvaldsens Museum until 9 December 2018

Thorvaldsens Museum
SE - Snedkernes Efterårsudstilling

Cupola drejestol / Cupola swivel chair
designed by:
Niels Gammelgaard
produced by: Northern Layers

En stol / A chair
designed by:
Foersom & Hiort-Lorenzen
produced by: Kvist Industries A/S

Introvert position
designed by:
Andreas Lund
produced by: Toke Overgaard

Rum / Encircle
designed by:
Troels Grum-Schwensen
produced by: Malte Gormsen

2Gether
designed and made by:
Steen Dueholm Sehested

Bloom
designed by:
Hannes Stephensen
produced by: Egeværk

Beside
designed by:
Line Depping
produced by: Skagerak Denmark A/S

Guldlok / Goldilocks
designed by:
Monique Engelund
produced by: Sune Witt Skovhus

 
 

MONO - exhibition catalogue

 

The catalogue for the Cabinetmakers’ Autumn Exhibition in 2018 at Thorvaldsens Museum in Copenhagen has a general introduction to the exhibition by the selection board and then for each work there is a double-page layout with a full page black and white photograph for each of the works.

These monochrome images are dramatic and chime with the theme of the exhibition but also give a strong emphasis to the form of each work.

Some pieces have a descriptive or evocative name - so Calm or Look don’t touch and a cabinet for the display of special possessions has the title Ego - while other titles are more straightforward, with works described as Chair or Table and Chair.

Of course the catalogue sets out the name of the designer and the name of the cabinetmaker or the company who realised the work and each entry includes the materials and the dimensions of the piece.

There is also a short paragraph on each work to set out any thoughts that inspired the design or to talk about technical details - many of the pieces use material in an innovative way or the construction is much more complicated than is immediately apparent - and there is a translation in English.

Graphic design is by Studio Claus Due and the black and white photographs were taken by Torben Petersen.

Snedkernes Efterårsudstilling / The Cabinetmakers’ Autumn Exhibition 2018

Thorvaldsens Museum

Studio Claus Due

 

MONO - Snedkernes Efterårsudstilling / the Cabinetmakers’ Autumn Exhibition

 

This year the venue for Snedkernes Efterårsudstilling / the Cabinetmakers’ Autumn exhibition is the Thorvaldsens Museum in Copenhagen and the theme is Mono … each work will be restricted to just one colour with the choice of colour limited to either the natural colour of the material itself or to one of the strong and distinctive colours used in the original decorative schemes of rooms in the museum.

The works are also restricted in size to a maximum foot print 90cm by 90cm although the height is limited only by the height of spaces within the museum.

Below is publicity material published earlier in the year with the call for submissions to be considered by the exhibition selection committee. 

MONO - ’furniture with a maker’s touch’ opens on 2nd November 2018

 

MONO - a piece of furniture with a craftsman’s understanding
For Mono, this year's SE exhibition, furniture will be created that demonstrates an engagement and passion for shape, colour and material. Furniture that individually and together expresses quality but also a rhythmic, narrative and simple whole.

With MONO we want to create an exhibition consisting of single-coloured / MONOchrome furniture, furniture that emphasises the individual designer's personal message / MONOlog, and this in conjunction with Thorvaldsenś MONOlithic sculptures and Bindesbøll’s beautiful building

Background:
There are two strong personalities that emerge when you say Thorvaldsens Museum. Bertel Thorvaldsen, to whom the museum was built and whose works it contains and Michael Gottlieb Bindesbøll who is the architect of the building. Both of them, through their work, represent great craft knowledge and a pursuit of the perfect. In addition, Thorvaldsen and Bindesbøll were incredibly adept at using the past in a new and modern way, Thorvaldsen through his new interpretations of ancient history and Bindesbøll through his personal way of using inspiration from Pompeii and Herculaneum.

This year's theme invites:
That the craftsmanship is challenged, perhaps through a new interpretation of the Danish furniture tradition.

That the inner "furniture thread" comes into play, preferably by combining new and old technology. Like Thorvaldsen and Bindesbøll, we strive for the perfect.

That through the materials, the form and the colour, the aesthetic and ethical presence of the furniture is reconsidered.

The goal is for newly thought-out furniture that expresses craftsmanship but also creates a narrative and simple exhibition in interaction with the two great masters.

Requirements for dimensions, materials and colours:
The furniture must have a maximum of 90x90 cm in the floor. The height is free but the furniture must be able to stand everywhere in the museum.

The furniture must be monochrome (one colour) and this can be either the wood's own colour or one of the colours from Thorvaldsen’s museum:

 
 

The Cabinetmakers’ Autumn Exhibition 2018

It has been announced that the venue this year for the Cabinetmakers’ Autumn Exhibition will be the Thorvaldsen Museum in Copenhagen.

Each year the committee choses a theme for the works and this year it will be MONO with works to explore the ideas of monochrome; monologue or monolithic to create furniture that “individually and collectively express a rhythmic narrative and simple whole.”

Thorvaldsen’s Museum, on the north side of Christiansborg, was designed by the architect Michael Gottlieb Bindesbøll and completed in 1848 to provide an appropriate building to house and display the work of the sculptor Bertel Thorvaldsen. With the galleries arranged around a central courtyard, the rooms have a striking and rich colour scheme that formed a background to the neo-classical figures in the collection.

The furniture in the Autumn Exhibition will use one of the eight colours used in the decoration of the building or will be in the natural colour of the wood used.

Snedkernes Efterårsudstilling