Snedkernes Efterårsudstilling / Cabinetmakers' Autumn Exhibition 2018

 

This week will be the last chance to see the exhibition of the furniture by cabinetmakers shown in the amazing interiors of Thorvaldsens Museum in Copenhagen

the exhibition continues until 9 December 2018

Thorvaldsens Museum,
Bertel Thorvaldsens Plads 2, 1213 Copenhagen

MONO - Snedkernes Efterårsudstilling / the Cabinetmakers’ Autumn Exhibition 2018

Piqué
designed by:
Hannes Stephensen
produced by: Snedkersind v/Kristian Frandsen

Sunrise
designed by:
Lise og Hans Isbrand
produced by: MoreWood Møbelsnedkeri ApS

 
 

The Cabinetmakers Autumn Exhibition for 2018 has just opened at Thorvaldsens Museum in Copenhagen.

SE - Snedkernes Efterårsudstilling - The Cabinetmakers’ Autumn Exhibition - is an association of 81 designers and manufacturers. Each year their board select a venue for their exhibition and set a theme along with any specific rules for a particular year - often to do with dimensions but this year also stipulating colour - so each work will be restricted to just one colour with the choice limited to either the natural colour of the material itself or to one of the strong and distinctive colours used in the original decorative schemes of rooms in Thorvaldsens Museum.

Each year, guest designers and guest manufacturers can apply to show their work. 

When setting the theme for this year, MONO was suggested to imply a range of associated ideas through monochrome, monolith, monopoly and monologue.

A subheading for the exhibition - furniture shaped by craftsmanship and insight - is important and significant: these pieces highlight the skills and the experience of the cabinetmakers who, in some pieces, take their chosen materials to new extremes and, in all the works, push their workshop techniques to the highest level of quality. So the exhibition is in part about the style and the form of each work but because, the cabinetmakers also represent a long and well-established craft tradition in Denmark, these pieces are about understanding the materials, to know what can be done and how, and to use incredible skills to shape, finish, join, refine or reduce the parts that make each work.

There are forty one works in the exhibition. Most were produced in a partnership between a designer and a cabinetmaker or furniture manufacturer - in many cases a  partnership that is now well-established over many years and over several projects shown at the Autumn Exhibition although several pieces were both designed and made by the same person.

The exhibition is also an opportunity to experiment or to produce designs that might otherwise not be commissioned … the aim is not only to challenge the skill of the maker but also to challenge the preconceptions of the visitor.

 

the Autumn Exhibition continues at Thorvaldsens Museum until 9 December 2018

Thorvaldsens Museum
SE - Snedkernes Efterårsudstilling

Cupola drejestol / Cupola swivel chair
designed by:
Niels Gammelgaard
produced by: Northern Layers

En stol / A chair
designed by:
Foersom & Hiort-Lorenzen
produced by: Kvist Industries A/S

Introvert position
designed by:
Andreas Lund
produced by: Toke Overgaard

Rum / Encircle
designed by:
Troels Grum-Schwensen
produced by: Malte Gormsen

2Gether
designed and made by:
Steen Dueholm Sehested

Bloom
designed by:
Hannes Stephensen
produced by: Egeværk

Beside
designed by:
Line Depping
produced by: Skagerak Denmark A/S

Guldlok / Goldilocks
designed by:
Monique Engelund
produced by: Sune Witt Skovhus

 
 

MONO - exhibition catalogue

 

The catalogue for the Cabinetmakers’ Autumn Exhibition in 2018 at Thorvaldsens Museum in Copenhagen has a general introduction to the exhibition by the selection board and then for each work there is a double-page layout with a full page black and white photograph for each of the works.

These monochrome images are dramatic and chime with the theme of the exhibition but also give a strong emphasis to the form of each work.

Some pieces have a descriptive or evocative name - so Calm or Look don’t touch and a cabinet for the display of special possessions has the title Ego - while other titles are more straightforward, with works described as Chair or Table and Chair.

Of course the catalogue sets out the name of the designer and the name of the cabinetmaker or the company who realised the work and each entry includes the materials and the dimensions of the piece.

There is also a short paragraph on each work to set out any thoughts that inspired the design or to talk about technical details - many of the pieces use material in an innovative way or the construction is much more complicated than is immediately apparent - and there is a translation in English.

Graphic design is by Studio Claus Due and the black and white photographs were taken by Torben Petersen.

Snedkernes Efterårsudstilling / The Cabinetmakers’ Autumn Exhibition 2018

Thorvaldsens Museum

Studio Claus Due

 

MONO - Snedkernes Efterårsudstilling / the Cabinetmakers’ Autumn Exhibition

 

This year the venue for Snedkernes Efterårsudstilling / the Cabinetmakers’ Autumn exhibition is the Thorvaldsens Museum in Copenhagen and the theme is Mono … each work will be restricted to just one colour with the choice of colour limited to either the natural colour of the material itself or to one of the strong and distinctive colours used in the original decorative schemes of rooms in the museum.

The works are also restricted in size to a maximum foot print 90cm by 90cm although the height is limited only by the height of spaces within the museum.

Below is publicity material published earlier in the year with the call for submissions to be considered by the exhibition selection committee. 

MONO - ’furniture with a maker’s touch’ opens on 2nd November 2018

 

MONO - a piece of furniture with a craftsman’s understanding
For Mono, this year's SE exhibition, furniture will be created that demonstrates an engagement and passion for shape, colour and material. Furniture that individually and together expresses quality but also a rhythmic, narrative and simple whole.

With MONO we want to create an exhibition consisting of single-coloured / MONOchrome furniture, furniture that emphasises the individual designer's personal message / MONOlog, and this in conjunction with Thorvaldsenś MONOlithic sculptures and Bindesbøll’s beautiful building

Background:
There are two strong personalities that emerge when you say Thorvaldsens Museum. Bertel Thorvaldsen, to whom the museum was built and whose works it contains and Michael Gottlieb Bindesbøll who is the architect of the building. Both of them, through their work, represent great craft knowledge and a pursuit of the perfect. In addition, Thorvaldsen and Bindesbøll were incredibly adept at using the past in a new and modern way, Thorvaldsen through his new interpretations of ancient history and Bindesbøll through his personal way of using inspiration from Pompeii and Herculaneum.

This year's theme invites:
That the craftsmanship is challenged, perhaps through a new interpretation of the Danish furniture tradition.

That the inner "furniture thread" comes into play, preferably by combining new and old technology. Like Thorvaldsen and Bindesbøll, we strive for the perfect.

That through the materials, the form and the colour, the aesthetic and ethical presence of the furniture is reconsidered.

The goal is for newly thought-out furniture that expresses craftsmanship but also creates a narrative and simple exhibition in interaction with the two great masters.

Requirements for dimensions, materials and colours:
The furniture must have a maximum of 90x90 cm in the floor. The height is free but the furniture must be able to stand everywhere in the museum.

The furniture must be monochrome (one colour) and this can be either the wood's own colour or one of the colours from Thorvaldsen’s museum:

 
 

Pitch Black - the Cabinetmakers’ Autumn Exhibition

 

Flexible Standard, Carlo Volf - Copenhagen Technical College

 

An astounding exhibition that highlights the huge skill and the boundless and seemingly immeasurable inventiveness of Danish furniture makers and designers. Except of course highlighting is not exactly the appropriate word here as the theme of the exhibition this year is the black line on paper - the draft - and the full title of the exhibition is Pitch Black - shadows and transparency.

Norm Architects have been responsible, as they were last year, for the overall design and arrangement of the exhibition, but have moved away from the mirror glass and complex reflected light of Øregård, last year’s venue, and created a dramatic setting of shadows and mystery: the works are shown over the two main floors of the 17th-century brewhouse building with windows covered to exclude all natural light and the massive posts and beams of the structure and the huge sculptures that are permanently here are sunk in gloom. The shadows appear palpable and become a significant part of the display. 

The forty-eight designs cover an amazing range of styles and explore the potential of many very different materials, from leather to Corian, but above all it is the form and shape of pieces and how they occupy space that is explored most strongly. Perhaps the only problem is that it is difficult to appreciate fully the quality of the craftsmanship and the novelty and imagination used in the diverse techniques of joining, overlapping, finishing and forming the pieces.

photographs of all the furniture

 

Black Hole, Örnduvald

Disguised as a chair, Nils-Ole-Zib

Syrsa, Mia Lagerman

 

the exhibition Pitch Black continues at the Lapidarium of Kings, Christian IV’s Brewhouse, Copenhagen until 30th October 2016