the 4210 floor lamp from Secto

Photographed on display at Nord

The Secto floor lamp from Finland was designed by Seppo Koho who was born in 1967 and studied at the University of Industrial Design in Helsinki. The stand in metal can be adjusted in height and the shade itself is in birch and comes with a choice of colours - natural, white, black or with a walnut veneer.

The lamp is one of a range of lamp shades including pendants and wall lights ... the Magnum has a larger diameter than the Secto but has a similar profile; the Puncto is a broader, more-open funnel shape and the Atto and Octo are domed.

Louis Poulsen and Le Klint

Copenhagen is full of small independent shops. International brands are here and of course there are large department stores with all the well-known labels but almost all streets and squares have long-established specialist shops selling the very best in Danish design.

Højbro Plads (Plads meaning square) is the large space that opens off the south side of the famous Walking Street. Here on either side of the square and within about a hundred Metres of each other are two of the most well-known lighting companies in Copenhagen. 

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Out of the square at the bottom or south-west corner and actually on Gammel Strand and looking across the water towards the Palace Chapel is Louis Poulsen. Founded in 1874, this company has always employed top Danish designers including Arne Jacobsen and of course Poul Henningsen who began working with the company in 1924. Henningsen designed the classic PH5 which was launched in 1958. It took its name from the designers initials and the fact that it had a diameter of 50 centimetres. This was the classic metal lamp shade or should I say that this is the classic lamp shade most often used over a dining table and found in many Danish homes in the 1960s and 70s. It has a series of metal shades linked by curved metal columns that enclose the bulb and produce an amazingly beautiful and soft light. 

I found an early version of this shade on an antique market in Copenhagen about 5 years ago. It is in deep grey with white - an unusual colour combination as the most common style is white but with a red or soft purple inner shades that slightly tints the light. It throws a soft light up to the ceiling and there is a pool of light over the table and no one sitting round the table gets dazzled.

However long I sit admiring it, I still can’t quite see how it works it’s magic.

Poulsen are a large and successful company and produce a large range of interior lighting, garden lighting and commercial lights. The showroom on Gammel Strand is primarily offices and design studios for their commercial contracts but the showroom on the street front is open to the public - although note that you do have to go to a shop or supplier elsewhere once you have decided on the lamp you want.

Off the top end of Højbro Plads, to the east, just along Lille Kongensgade is Le Klint, famous for their pleated lampshades first designed by Peder Vilhelm Jensen-Klint about 1900 along with shades designed by his son Tage Klint who formed the company in the 1940s. If the idea of pleated shades conjours up images of the paper lanterns sold by Habitat and BHS and found in most student flats and a good number of homes in Britain through the 1970s then think again. The lampshades from Klint are like beautiful sculptures in crisp white parchment.

They also sell restrained and well-proportioned standard lamps and bedside lamps and an ingenious scissor action wall lamp in wood that can extend a light out over a work surface or over a reading chair.

lighting from Design House Stockholm

Design House Stockholm describes itself as a publishing house. They employ a wide range of designers and give them an opportunity to rethink and reinterpret more conventional approaches to product design. They also seem to encourage a real sense of humour and this is particularly obvious in the designs for their lighting range. Many of the lamps and lights from Design House Stockholm are used in the cafe at Nord.

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The Cord Lamp is by a trio of young designers with a studio in Stockholm. Petrus Palmér, Jonas Pettersson and John Löfgren met at Kalmar University in Smäland and forming the studio in 2005, called themselves Form Us With Love. They take that inevitable problem - however hard you try, it is always impossible to hide the flex of a lamp - and they ask - why bother? They do away with the lamp itself and the flex, admittedly with a dimmer switch, becomes the support for an oversized bulb. In 2013 Form Us With Love was named their “designer of the year” by Elle Decoration Sweden.

Harri Koskinen, born in Karstula in Finland in 1970, designed the Block Lamp launched in 1996. It looks like a light bulb trapped within two blocks of ice and has received many design awards. In 2000 the Block Lamp was given a place in the Collection of the Museum of Modern Art (MoMA) in New York and in 2009 Koskinen was awarded the Torsten and Wanja Söderberg Prize - Scandinavia’s most prominent design award.

The Corner Lamp does what it says. It sits neatly right in the corner. It was designed by Roberto Cárdenas and was awarded the GQ Magazine “Best Home Product” award in December 2006.

The Mañana Lamp, designed by Marie-Louise Gustafsson, is 1.7 Metres high and has a thin grey metal stem. Initially, when I first saw the lamp, there was a sort of double-take as I realised that with just two legs and short feet and leaning back against the wall for support it looks, in a nonchalant sort of way, like a figure from a cartoon.