a new park by the opera house

The Opera House designed by Henning Larsen was completed in 2005 and is the most prominent modern building along the harbour in Copenhagen. It’s at the centre of a wide rectangular island or, rather, on the central island of three islands side by side with narrow canals hard against either side of the opera building and crossed by narrow bridges out to the flanking islands.

In the original scheme, these flanking islands were destined to be developed with expensive apartment buildings but then along came the global recession and since then everything has been on hold. 

There is now a scheme, drawn up by the architecture and planning team of COBE, for a large underground car park to be constructed here with a park above it that will be densely planted with trees.

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COBE - The Opera Park

Opera House.jpeg

Lynetteholmen - a new island across the harbour

Earlier in the year, initial drawings were published for a large new island that could be constructed across the entrance to Copenhagen harbour. It could be be called Lynetteholm after a small fort at the north end of the Christianshavn defences although more recently it has been the name of the sewage works off Refshaleøen.

There has been a lot of criticism … generally about the scale of the scheme and because the island will close off the views out from the harbour to the sea of the open sound. Specifically it was considered to be too close to the Trekroner Fort - a triangular outer defence that was built in 1713 … itself on an artificial island that was formed around three scuppered ships of which one was the Trekroner so hence the name of the fort.

That fort was rebuilt in the 1780s, in a slightly different position, but new building on a densely-developed new island will completely swamp the attractive and well-known silhouette of the ramparts and historic buildings of the fort.

The most recent plans show the new island further out in the sound to give the fortress more breathing space but, in the process of rethinking the development, the island has grown and where there had been wide channels on each side - between the new island and Nordhavn and between the new island and Amager - these may now be much narrower. The excuse is that this makes new storm-surge defences - to stop exceptional tidal water flooding into the inner harbour - cheaper to build and more effective.

The construction of the island will incorporate major engineering work for what is now considered to be crucial infrastructure for the city so work will include a major new road tunnel to bring traffic from the north under the harbour from Nordhavn to the east side of Amager and on down - to the airport and the bridge to Sweden - and the Metro could be extended from Nordhavn and the new terminal for cruise ships to, again, go under the entrance to the harbour and run down to connect to the existing line - presumably at the present metro station at Øresund - and run on again to the airport.

An early proposal suggested that the island would be primarily office buildings for new technologies - a Danish Silicon Valley - but more recent schemes seem to be for housing. 

In theory, the idea should not be controversial as the city has been building large new islands out into the sea since Christianshavn was laid out in the first decades of the 17th century. One criticism has been that the cost of constructing the island would mean that all the housing would have to be expensive - so exclusive - and that does not go down well in what is still a left-of-centre city politically although of course the main houses built along Strandgade in Christianshavn in the 17th century were large and impressive and occupied by some of the wealthiest merchants in the city who were, presumably, anxious to escape the tightly-packed and narrow houses where they had lived along what is now Gammel Strand.

The pressure on planners and the developers for the new island will, and quite rightly, come from ecological pressure groups. The open water of the sound is an important resource that should not be squandered but this could also be an opportunity to provide large new parks and foreshore with a careful balance between providing a resource for people in the city and providing new habitat to bring bring nature into the city through well planned and well planted green corridors.

the post on Lynetteholm in February

the most recent proposal

 

earlier drawings

Kähler at CHART Design Fair August 2019

 

The Kåhler pottery was founded by Joachim Christian Hermann Kähler in 1839 and this exhibition at Den Frie - for the CHART Design Fair - is in part to mark their 180th anniversary. 

Initially, Kähler produced stoves and cooking pots and kitchenwares. Two sons - Hermann A Kähler and his younger brother Carl Frederik Kähler - took over the factory in 1872. After a fire in 1875, a new factory was established and the company began producing finer ceramics, particularly vases, and began working with ceramic artists including H Brendekilde, L A Ring and Carl Lund and later Karl Hansen Reistrup and then Svend Hammershøi who became the artistic director of the company. 

Kähler experimented with shapes, glazes - particularly a hallmark deep red lustre - and with decorative techniques of painting by hand.

The exhibition here showed a range of their pieces through the history of the factory that show how, as a commercial company, they had to respond to changes of fashion but also, by employing well-established and talented artists, they could also set certain styles. 

Plaster casts for slip-pouring moulded, rather than thrown, pieces and sample strips of glaze colours gave some insight into the technical aspects of the high-quality ceramics.

In 1974 the factory was sold to Næstved municipality and then passed through a number of owners including Holmegaard but since 2018 has been part of the Rosendahl Group.

Kähler

Tête de Louise Alenius at Statens Museum for Kunst

An installation in plywood, the head is modelled on the head of the composer and visual artist Louise Alenius but is monumental in scale.

Over three metres high and hollow, there is an entrance - where the left ear would be - and, fitted with a sound system, it’s a small concert hall where the artist’s work Right of Nothing is performed for an audience of one person at a time.

the installation continues until 8 December 2019
Tête de Louise Alenius at Statens Museum for Kunst

 

CHART 2019 - CHART Architecture

This evening CHART - the big annual art fair in the city - opened at Kunsthal Charlottenborg - the main venue for the fair in the centre of Copenhagen.

This was an opportunity to see CHART Architecture - five pavilions in the courtyards of the 17th-century palace that were designed by emerging architects from the Nordic region - the finalists selected by an international jury in an open competition earlier in the year. The winner will be announced on Saturday.

The theme set for the competition was materiality - to see how new materials or reused materials could inspire the designs - and the winning entries have been constructed with the designers working with the engineering consultants ARUP.

Through the weekend of the fair - on Friday 30 and Saturday 31 of August and on Sunday 1 September - the pavilions will be the food stalls and bars for the event.

CHART 2019 -
CHART Architecture
Kongens Nytorv 1,
1050 Copenhagen K


CELL PAVILION
Josephine Rita Vain Hansen & Marie Louise Thorning

Air-filled latex cells form the cocktail bar from Thorn Gin


 

SALARIA PAVILION
Christina Román Diaz & Frederik Bo Bojesen

Inspired by the mineral salt and made in timber with fish nets, salt crystals and clear polycarbonate frames with wine and oysters from Rouge Oysters

 

SULTAN
Anne Bea Høgh Mikkelsen, Katrine Kretzschmar Nielsen, Klara Lyshøj & Josefine Ostergaard Kallehave

A pavilion constructed from the frames, springs and fabric covers of Sultan beds from IKEA for beer from 1664 Blanc

 

ROCK PAPER CNC
Diana Smilijkovic, Jonas Bentzen, Gustav Kjær Vad Nielsen, Haris Hasanbegovic & Oskar Koliander

Recycled paper formed in CNC-cut moulds for Jah Izakaya Sake Bar


SNUG AS A BUG IN A RUG
Andreas Körner & Mathias Bank Stigsen

Timber with latex polymer fabric for Green Burgers from Gasoline Grill

 

the jury for CHART Architecture competition 2019:

  • David Zahle, architect and partner at BIG

  • Lea Porsager, artist

  • Nikoline Dyrup Carlsen, architect and co-founder of Spacon & X

  • Pippo Ciorra, Senior Curator of Architecture at MAXXI Museum

  • Rosa Bertoli, Design Editor at Wallpaper* magazine

CHART Architecture 2019

update:

the jury awarded first prize for CHART Architecture competition 2019 to
SULTAN by Anne Bea Høgh Mikkelsen, Katrine Kretzschmar Nielsen, Klara Lyshøj & Josefine Ostergaard Kallehave

Matters - Rethinking Materials at Designmuseum Danmark

A new exhibition for the forecourt of Designmuseum Danmark with the work of five young Nordic designers who have used by-products and rejected waste.

This is an initiative from CHART Curio curated by Line Ulrika Christiansen, Institute Head of Domus Academy Milan, with Pernille Stockmarr, curator at Designmuseum Danmark.

MATTERS - RETHINKING MATERIALS
opened on 28 August 2019 and continues until 29 March 2020
at Designmuseum Danmark


 

Polarized Portraits - Site Specific
by the Swedish designer Kajsa Willner
polarized filters, disposable plastic and acrylic



 

Clock #02 
by the Norwegian designer Stian Korntved Ruud
metal wood and electronics

 

Inside Out 
by the Danish designer Kathrine Barbro Bendixen
cow intestines and LED lights





 

Unidentified objects
by the Norwegian-based Swedish artist Sarah Vajira Lindström
mixed materials

 

Seitikki
by the Finnish designer and cabinetmaker Antrei Hartikainen
wood and metal

 
 

World-class art between disasters

A major exhibition on Danish Art from the Golden Age has just opened at Statens Museum for Kunst - the National Gallery of Denmark in Copenhagen.

The intriguing title is a reference to major events in Denmark in the 19th-century with the period bookended by the bombardment of the city by the British Navy in September 1807 and the war with Germany that ended in 1864 with the loss of extensive Danish territory in Schleswig Holstein. Both were dramatic and traumatic events that forced the country to reassess it’s position in the World.

For art in Denmark, this period is considered to be a Golden Age .

Danish Design Review rarely reviews exhibitions of paintings or sculpture but many of these artists recorded in considerable detail topographical scenes, interiors and social life that provide significant evidence for the development of design and architecture through the period.

Danish Golden Age - World-class art between disasters
continues at Statens Museum for Kunst in Copenhagen
until 8 December 2019

 
L1055002.JPG

citizens fleeing to Amager as Copenhagen is bombarded by the British navy in September 1807
by CW Eckersberg (1783-1853)

L1054972.JPG

Højbro Plads in Copenhagen 1844
by Sally Henriques (1815-1866)

L1055450.JPG

detail of A Wounded Danish Warrior 1865
by Elisabeth Jerichau-Baumann (1819-1881)

L1055023.JPG

street scene
by Christoffer Wilhelm Eckersberg (1783-1853)

L1055009.JPG

detail of a painting of the square of the Marble Church in 1835
by Frederik Sødring (1809-1862)

 
 

CHART 2019

 

Walking through the courtyards of Charlottenborg at the end of the week, there was intense activity with work moving forward fast on the construction of the temporary pavilions that are now a main and very popular feature of CHART ART FAIR - the annual commercial art fair in Copenhagen - that will open at Kunsthal Charlottenborg on Friday 30 August and continue through to Sunday 1 September.

The five pavilions are winning designs from a completion at the beginning of the year that was open to postgraduate students or newly graduated architects, designers and artists working in the Nordic region.

As in 2019, commercial galleries for furniture and design and designers and design studios will show separately in CHART DESIGN FAIR at Den Frie - the gallery space close to the railway station at Østerport.

CHART 2019

 

Himmel & Hav - By & Havn at Nordhavn

On Saturday and Sunday, By & Havn opened their exhibition in The Silo about the development of Nordhavn - or the North Harbour as one of their contributions to Kulturhaven … the harbour culture festival.

There were models, plans, historic photographs and maps to show how the harbour has developed as more and more land has been claimed from the sea and docks and quays constructed.

A relatively new terminal for the ferry to Oslo and the large dock for cruise ships along with the last area of container dock survive but the oil terminal and most commercial docks have gone and the bonded warehouses converted to offices. Now, much of the land and large areas of newly claimed land that have been built up with spoil from digging the tunnels for the new metro are now streets and squares of large apartment developments.

One task of the exhibition is to show how the development of Nordhavn will be completed through the next stages as an extension of the metro is completed but it is also, in part, a way to show new sustainability goals and to show how this area has taken on board the latest ideas about contending with climate change so, for instance, water from cloud bursts is filtered and taken into the harbour rather than being allowed to overwhelm sewage systems.

By & Havn are the development body that is also overseeing planning and the extensive and ongoing construction work in Ørestad, on the Amager side of the south harbour, and the next stage of development around the power station on the city side of the south harbour and By & Havn will oversee and control the proposed development on new islands north of Refshaleøen.

The exhibition will be open to the public again next weekend - Saturday 31 August and Sunday 1 September and after that can be opened specifically for organised groups by arrangement.

By & Havn

 
 

Kulturhavn FESTIVAL

Just a few images from Saturday and Sunday to show the diversity of events.

Phenomenal numbers of people took advantage of fantastic weather to sunbathe and to swim in the two harbour swimming areas south of Langebro and there were so many at the swimming area at Nordhavn, with the advantage of facing south, that many seemed to opt for tanning by standing.

There was music and dancing and a huge range of activities from yoga lessons in the sun to being shown how to play petanque and at Islands Brygge the local historical society had an exhibition of historic photographs of the harbour in the old railway wagon on the quay to remind people that all this huge area was working docks.

 

Finders Keepers at Øksnehallen

select any photograph to open all in a Lightbox slide show

Today - Saturday 24 August - was the first of the two days of the design market at Øksnehallen - the old market hall in the Meat Packing District of Copenhagen that is just to the south and west of the central railway station.

Finders Keepers is a celebration of small independent design companies in Denmark and includes clothing, household textiles, leather goods as well as ceramics and glass and furniture. There are play areas for children and food stalls on the forecourt.

Finders Keepers continues tomorrow 25 August 2019
at Oksnehallen in the Meat Packing District of Copenhagen

 
 

Denmark's Next Classics

 

This is the last opportunity to see Denmark’s Next Classics at Designmuseum Danmark.

The exhibition shows the work of five designers who took part in a series on Danish television in the Spring that sought to find new designs that could become design classics in the coming years.

From each designer there is a dining chair, a dining table that can be extended, a pendant light, furniture for children, a sofa and a lænestol or arm chair.

With sketches and models for the designs and with audio-visual material - including clips and interviews from the programmes - Denmark’s Next Classics explores the process of design.

The designers are Janus Larsen, Isabel Ahm, Rasmus B Fex, Kasper Thorup and Rikke Frost.

Judges for the competition were Anne-Louise Sommer - professor of design and now director of Designmuseum Danmark - and the designer Kasper Salto.

Denmark’s Next Classics
at Designmuseum Danmark until 1 September 2019

the six programmes can still be viewed
on line through the DR site

 

Kulturhavn 2019

Kulturhavn Festival set out in 2001 with three main objectives:

  • To inspire and motivate the audience to engage more in culture and leisure-time by giving them the opportunity to try out new activities and enjoy some sneak previews from the cultural season that lies ahead

  • To familiarise the citizens with Copenhagen Harbour as an urban space, encouraging people, associations, cultural institutions and commercial activities to use and develop this blue urban space

  • To act as companion and a marketing platform for the city's associations and cultural institutions

This year there will be around 230 events and activities including music and theatre on the water; sport from yoga to a “floating water fight” and guided walks and exhibitions.

Kulturhavn Festival
23-25 August 2019. 

 
 
 

Finders Keepers at Øksnehallen

Finders Keepers - a major design fair - is back at Øksnehallen - the exhibition and events hall on the old meat market just to the west of the central railway station in Copenhagen.

Go out of the west end of the station and head for Halmtorvet - the old hay market at the city end of Sønder Boulevard - and the Meat Packing District is on your left.

The design fair will be on Saturday 24 August and Sunday 25 August from 11.00 through to 17.00

FINDERS KEEPERS

Finders Keepers at Øksnehallen in August last year

a new library for Nørrebro

 

At the beginning of August a new public library opened in the old tram sheds in Nørrebro.

The building is set back from Nørrebrogade with a large square at the front where trams originally turned into the sheds and the original high and narrow openings towards the road have been retained but with new doors that have stylised versions of giant book cases.

Inside, the single huge space of the shed has been retained with arched openings in the brickwork along the east side towards Bragesgade kept as a strong architectural feature and to flood the space with light. The industrial roof has been kept and is now painted black.

Fittings are in pale plywood and divide up the space and there are integral breaks in the shelving with desk spaces and benches that create quiet places to work but also form views through the space.

Across the west side of the library are smaller spaces on two levels with meeting rooms above for meetings and teaching that the community can use and, like all libraries in the city, there is a play area for children to encourage even the youngest to see the library as a fun place to visit.

Further back from the road is a second huge tram shed and that was converted some years ago to a sports hall - Nørrebrohallen - and there is now a large entrance area and large cafe between the two - between the library and the sports halls - as a place where people can meet.

Running back from the road and along the west side of the buildings is the famous city park - Superkilen - with its outdoor play and sports so this area is now a major hub for the community around. It is anticipated that visitor numbers to the library could soon exceed 1,000 a day.

 

select any image to open the photographs as a slide show

sport and space consultancy KEINGART
have published a pdf file on line with
plans of the library and cafe area

 

Copenhagen Gay Pride

 

This has been Copenhagen Gay Pride week with events all round the city with the highlight probably being the parade today with thousands taking part and huge crowds making it a major event.

The city has been decked out with rainbow flags and the colours of the rainbow on major buildings and for light shows.

update - Karen Blixens Plads

approaching the square from the metro station at Islands Brygge

 
 

Designed by the landscape and architecture studio COBE, Karen Blixens Plads is at the centre of the south campus of the University of Copenhagen and is one of the largest public spaces in the city.

The square, with work just completed and now open, is approached either from the north - from the metro station at Islands Brygge - or from the south from the direction of Amager Fælled.

The main area is paved with pale bricks and the main feature is shallow brick domes that cover part-sunken areas for leaving bicycles but they also form areas for sitting out and reduce what was a bleak and almost overwhelming space simply because of the size of the open area.

To the south the shallow circular mounds are repeated but are heavily planted and with winding pathways between them that create more sheltered areas. Several sunken areas have wetland planting and control the run off of rainwater.

earlier post on Karen Blixens Plads from June 2017 when work began

approaching the square from the south - from Amager Fælled

 

Enghave Plads

Vesterbro - the part of the city immediately west of the central railway station - is a densely-occupied area of apartment buildings with most dating from around 1900.

This was a strongly working class part of the city with the main rail line forming the southern boundary and with the meat markets, gas works and the harbour presumably supplying much of the work and the Carlsberg brewery was, until a few years ago, to the west.

The street pattern of the district is complicated with two main roads - Istedgade and Sønder Boulevard - running out at an angle from the railway station at the north-east to the south east but with secondary cross streets of traditional apartment buildings running north to south and there are also several streets running across the area from south east to north west so it a complex pattern of a grid but overlaid with a Saint Andrew cross so some streets meet or cross at odd angles.

At the south end of Istedgade is Enghave Plads - a large open square much wider east to west than the distance across from north to south and it narrows at the centre. This square is where several tram routes met so it was always an important point in the area and immediately to the west is a very large square with a major public garden - Enghave Parken - that has large apartment buildings on the north, west and south sides so the two spaces run together though divided by a busy main road - Enghavevej.

Enghave Plads is the site of one of the major new metro stations on the new circle line that will open at the end of September. The east end of the square and some of the surrounding streets have been boarded off for about a decade with major construction work for the metro but the boarding has just been taken down and the space with it's new landscaping opened officially.

There are large areas for leaving bicycles across the north or darker side of the entrance steps to the metro station but across the south side of the metro entrance there are raised beds with Corten edging and long raised bench seats and then to the west more open space for events. This area has striking new seating that has deep red slats on a black metal frame and these form great bold curves though the initial reaction to the seating has been mixed - some asking exactly why people would want to sit next to each other in long rows even if they are curved. Mature trees to the west, along the main road, have been kept and provide a baffle against the sound of traffic and shade for more seating and an area that is fenced for ball games.

Copenhagen Metro

Vesterbro with the main railway line to the south, the MeatPacking district in the cirve of the railway and the main railway station top right
Enghave Plads just left of centre and Enghave Parken towards the left side

Enghave Plads from the east with the square of Enghave Parken beyond

tram leaving the square and heading along Istedgade towards the railway station … the area between the buildings and the central space has been paved over and the main through traffic has been restricted to the north side of the square