Poul Kjærholm was in his early 30s when he designed this chair but it is remarkably self-assured … there is clarity in the concept and a simplicity in the shape so that even today, nearly sixty years later, the chair seems to be free of conventions or styles and free of forms from the past.
This was not a matter of just stripping away decoration or just simplifying shapes and nor was it just a rationalisation to explore what is essential for a chair but, in the design of the PK9, Kjærholm re-assessed the relationship between function and the support and structure of a chair and combined that with a highly-developed awareness of shape and space.
His self confidence was more than justified: Kjærholm graduated in 1952 and from 1955 taught furniture design at the Royal Danish Academy of Fine Arts. Through the 1950s he produced a number of experimental and innovative designs - a chair with one leg, a shell chair like an open clam - with two curved pieces of aluminium bolted together - a wire chair shaped like a great swoosh and these were followed by a series of chairs and tables that went into production - including the low easy chair PK22, a side chair PK 1 and a glass and steel table PK61. In 1958 he was awarded the Lunning Prize - then the most prestigious award for design in Scandinavia - and in 1960 he designed Denmark's pavilion for the Triennial in Milan.