The Sølvgade Chair by Cecilie Manz - when seen alongside the other works in the Mindcraft16 exhibition - appears to be the most conventional piece because it is restrained, rather self-contained and certainly does not draw attention to itself. In contrast, many of the other pieces are deliberately flamboyant and deliberately controversial to push conventions and to challenge the visitor.
However, the design of the chair goes in the other direction by taking the design of a chair back to basic principles it raises interesting and important questions about how designers and manufacturers should approach the production of a new chair. Why is that important? Well, a chair is perhaps the staple piece of furniture and usually has a major place or even an iconic place in the catalogues of the major Danish design companies. New chairs are launched at regular intervals and old designs are revived as a matter of pride in a well-known back catalogue. Most design buffs can reel off a list of classic chairs but would find it more difficult to name more than a couple of classic table designs or a couple of sofas.