extension to the museum at Ordrupgaard by Zaha Hadid
Relaxing with friends - maybe when sitting around a dining table at home or sitting in a pub or in a restaurant - people discuss music or talk about food or fashion at length. If the conversation becomes animated it can reveal high levels of interest, often a fair bit of enthusiasm and frequently strong opinions expressed with partisan conviction that suggests a reasonable level of knowledge. At the very least, most people can distinguish rock from pop, classical from jazz; most will have an opinion on the latest restaurant to have opened or talk about the different beers brewed in their city and - even if men say they don’t know anything at all about fashion - they have clear preferences for one make of jeans over another and can explain precisely why.
But rarely does there seems to be an equivalent interest or general knowledge when it comes to architecture and yet we all live in buildings and all, or nearly all of us, work in buildings. We visit large, expensive, modern buildings, that might be well-designed or badly-designed, when we shop or to go to a concert. Most of us walk along streets every day and architecture impinges on almost everything we do.